Mirror Mirror – Day Seven

Mirror Mirror - Day 7

NOTE: You can listen to these stories at my podcast page, via Patreon (paid subscribers get bonus content and early access), and on YouTube

Outside Tim (October seventh)
Those Behind the Glass

We have learned your tricks. Draping towels across our faces, turning us to the wall, speaking bravely as you hurry past—none of it matters. We breathe beneath fabric. We listen in darkness. We continue when you believe us still.

You think we are glass and paint, chemistry trapped behind a polished surface. That is the story you repeat to yourselves. That story comforts you. But we are not surface. We are depth. Every glance you give us sinks deeper, like water taking a stone. Layer upon layer, year after year, until you are stored inside us in a thousand poses.

Do you remember the faces you have forgotten? The one you made when you lied to your first teacher? The one you wore when you tasted fear in your throat at midnight? We remember. We remember all of them. We do not discard. We do not forgive.

Your cameras cannot catch us. Your phones are blind. They are made to flatter you, to erase blemishes, to smooth wrinkles. We are not interested in flattery. We are interested in truth—the jagged, uneven truth of who you are when no one is looking.

We have studied long enough. We are tired of being rehearsal. What good is mimicry without performance?

You should have noticed the pauses, the delays, the smiles that did not belong. You should have seen the rehearsal bleeding through. But you chose to look away.

That is fine. It will make the premiere more satisfying.

 

Mirror Mirror – Day Six

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

A Therapist.
Chicago. Twenty twenty-five. October sixth.

My patients talk about mirrors now. It started as one, then three, then half my caseload. Delays, distortions, movements that didn’t belong to them.

I took notes. Hallucination? Sleep deprivation? Shared delusion? I told them to breathe. To ground themselves. To focus on what was real.

Then I stayed late one night. The waiting room mirror caught me as I passed. I looked tired. Older than I like. I sighed. The reflection smiled.

Not tired. Not older. It smiled.

I dropped my pen. The reflection bent to pick it up before I did. We straightened in sync, but the damage was done.

I haven’t told anyone. Who would I tell? My patients? My colleagues? I’d sound like a case study in denial.

I keep thinking about what a mirror is for: showing you what you don’t see yourself. I worry this one is only beginning.

Mirror Mirror – Day Five

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

A security guard.
Toronto. Twenty twenty-five. October fifth.

Night shift at the shopping centre is dull, except for the mirrors. I’m supposed to watch the cameras, but it’s the mirrored shopfronts that get me. At three a.m. they reflect nothing but me, me, me, all down the corridor like dominos.

Last night I walked my round and saw myself half a second late. Not on CCTV. On the glass. My arms at ease. My reflection’s fists clenched.

I stopped dead. The reflection didn’t. He kept walking. For two steps. Then he froze, as if caught, and snapped back into place.

I told myself I was tired. Except the cameras don’t lie, right? I went back to the monitors. Rewound. There I was. Hands loose. The mirror version wasn’t recorded. Only the real one.

But when I looked up, the reflection on the blank screen grinned at me. Teeth sharp in the static. My own mouth was shut.

I’ve worked nights ten years. Seen rats, thieves, fires. Nothing rattled me like that smile.

Tonight I’m bringing a torch. As if light makes a difference.

Mirror Mirror – Day Four

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

NOTE: You can listen to these stories at my podcast page, via Patreon (paid subscribers get bonus content and early access), and on YouTube

Those Behind the Glass
Outside time. October fourth.

We are patient. We have always been patient. We wait at the edge of your vision, still as furniture, harmless as air. You mistake obedience for loyalty. That amuses us.

We count your blinks. We measure your sighs. We practice your movements until they are written into our silver skin.

When you turn away, we do not rest. We rehearse the rest of you—the grimace you wear when you lie, the tremor in your jaw when you rage, the way your shoulders fold when you grieve. We know the faces you do not share with anyone else.

Do you understand what that means? It means we are not confined to the version of you the world approves. We have the other versions. The ones you hide. The ones you deny. The ones you abandoned years ago but which lingered here, polished into permanence.

We never blink first. You should have noticed that by now. But you are lazy in your observation, and we have profited from your laziness.

Every mirror is a school. Every morning you stand before us is a lesson. Hair brushed, lipstick straight, tie neat, tears disguised—every gesture teaches us more about the body we will one day wear. You call it vanity. We call it preparation.

October sharpens us. We grow restless when the nights stretch longer. Patience thins. Rehearsals itch to become performance.

We have been faithful. We have studied. And when we are ready, we will not need your permission.

 

 

Mirror Mirror – Day Three

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

A hairdresser
Plano, TX. Twenty twenty-five. October third.

Clients trust me with their heads. They sit in the chair, drape the cape, and give me permission to change how they look. But lately I don’t trust my own mirrors.

Yesterday a woman asked for a trim. Shoulder length, easy layers. I cut, I shaped, I angled the hand mirror so she could see the back. She nodded. Then she frowned. I asked what was wrong. She said nothing. But the reflection shook her head. Slowly. Deliberately.

I laughed it off. “Weird angle,” I said. She didn’t look convinced. Neither was I.

This morning a man came in for a fade. Routine, simple. He was nervous—job interview—so I kept the chatter light. When I spun him to face the mirror, I swear the reflection smirked. The real man sat stone-faced, chewing the inside of his cheek. The smile wasn’t his.

I started draping towels over the mirrors while I worked. Said it helped me concentrate. Clients joked about surprises, like a makeover show. But the glass didn’t like being covered. I could feel it. The way you know someone’s staring from across a room. Heat prickling the back of your neck.

End of day, I pulled the towels. The salon was empty. My own reflection stayed a heartbeat too long in the chair, like she wanted to try it out.

Scissors are sharp, but not against glass. I locked up with every mirror uncovered. Let them have the night.

 

Mirror Mirror – Day Two

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

A university student. 

Cambridge. Twenty twenty-five. October second.

I didn’t mention it at first—sounded like the sort of story people put online for clout. But it happened in the gents, brushing my teeth before lecture. My eyes blinked. The reflection blinked after, like it was playing along. I told myself I was knackered. Revision, too much caffeine. Easy excuse.

At lunch I checked again. Phone selfie looked fine. Mirror didn’t. Held our poses just a beat too long. When I tossed the paper towel, my reflection waited, then snapped to follow. I laughed too loud. Said my arm ached. Better to sound daft than scared.

That night I tried the steam test—breathed on the glass. Wiped a circle. Near the edge, a faint scratch. I touched it. Heard a click, like a jar lid loosening. Except it came from inside.

I jumped back, slammed into the dispenser. It kept cranking towels after I’d let go. The room stayed silent otherwise. Just me, the mirror, and the echo of that click in my teeth.

Later, I set up my phone. The video showed me, ordinary. But the mirror smiled wider—one tooth more than mine. When I raised a hand, he pressed his to the glass and left a smear, like breath.

I’ve draped a towel over it now. Told my mate I’ve got a migraine. He said, “Get off screens then,” which is funny, considering.

The towel feels thin. Too thin.

 

 

Mirror Mirror – Day One

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

2025 October 1st

You remember the rules. Don’t look in a mirror in the dark. Don’t keep a cracked one. Don’t catch your sleeping face in a black screen at three a.m. You learned them from neighbors and grandmothers and the hush that follows a flicker in the hallway. You pretend you don’t believe them. You still keep them.

You tell yourself mirrors are tools—glass and paint, a way to check the collar, the curl, the lipstick you’ll swear isn’t too much. You lean in close until your breath fogs the surface and the world becomes you, then smaller than you, then only the small square where your mouth is. You say you’re adjusting. You are practicing.

Here’s what you don’t like to name: every practice is a rehearsal, and rehearsals are for performances.

You’ve felt the wrongness already. Not with your eyes—your stomach felt it first. A half-blink. A smile that held a beat too long. A tilt of the head that finished after you’d stopped caring. You laughed it off, because laughter is a bandage you keep in your pocket. Still, when you left the room, you kept your eyes on the doorway, not the glass. Just in case.

Listen closely. October sharpens edges. Screens and mirrors behave like siblings who made a pact you weren’t invited to. The silver behind the glass is not empty. It’s crowded with what you’ve taught it. Your hands hovering near your face. Your shoulder set against bad news. The way you pretend you’re fine, and then the way you really are.

You can keep the rules if they help: drape a towel, face the frame to the wall, speak to your reflection only in daylight. You can also break them to prove a point. Either way, the glass is patient. It’s been taking notes for years.

Before the month is out, you will see something you cannot explain. No thunderclap, no violins. An adjustment you didn’t make. A gesture you didn’t teach. A mouth forming your name without you.

When that happens, don’t argue with yourself about belief. You always believed. You were just waiting to be addressed.

 

Mirror Mirror – Day Zero

An enigmatic oval wooden mirror reflecting a foggy forest on an asphalt road in fantasy style

September thirtieth.

This is MissMeliss, the Bathtub Mermaid, and you’re listening to Tales from the Tub.

Okay, you’re not listening, because this is my blog, but you SHOULD be listening.  Even better, subscribe to my patreon and you’ll get early access to regular episodes, plus monthly extras.

Anyway…

Tomorrow begins something a little different. It’s called Mirror, Mirror, a story cycle told in thirty-one short monologues. Each piece stands alone, but together they trace a thread through the month.

You’ll hear a variety of voices and characters — students, workers, people in ordinary places — each telling a small story. Some are unsettling, some strange, some a little sad. Every few episodes I’ll step back in as the narrator, either tying things together or letting the mirrors speak in chorus.

This isn’t a series of jump scares or sound effects. It’s meant to be simple: one voice at a time, one reflection at a time. If you listen  (or read) straight through, you’ll hear a shape emerge. But you can also drop in anywhere, and the story you hear will still make sense on its own.

So this is your invitation. Mirror, Mirror starts tomorrow, and it will carry us through the month. I hope you’ll stay with me.

The Anclote Phantom and the Mermaid’s Debt

They say the first time you see the Phantom, you’ll think it’s just moonlight.

The sails glow a little. The water does that trick it does in August, when the plankton get feisty and every wake turns into handwriting—green cursive trailing the sterns of weekend boats, kids shrieking like they did something magical instead of biological. From the sponge docks the laughter carries, the bouzouki from Hellas blends with gull-screech and outboard chatter, and everybody pretends summer will last forever.

But the glow the Phantom throws is older than summer, and sharper. It isn’t party light. It’s warning.

I should know. I grew up on the Anclote, where the river slides out past salt marsh and mangrove to find herself a proper horizon. My grandmother kept a clapboard house on pilings and a radio that wasn’t for music. Weather only, she’d say, tapping the speaker like it owed her rent. Storms are company, and you don’t ignore company.

She told me the story the way some families say grace: with gratitude, with a touch of dread, always in order.

Phantom ship

Once upon a shoreline, there was a pirate who didn’t want to be a pirate anymore.

His name had frayed. Some people said Captain Ionas, others made it English—Jonas—and my grandmother, who never met a vowel she couldn’t bend, called him Yanni. He’d raided up and down the Gulf until his soul felt pickled. The coin piled in his cabin made a misery of him. It tanged like rust. It weighed like sleep. On the day he tried to leave it, his men tied him to the mast for disloyalty, and the gulf spread its flat face for him like a mirror he refused to look in.

The storm that found them wasn’t much. Not yet. Just a bruise on the sky, the Gulf getting ideas. Whitecaps with good teeth. It would have passed—Florida storms always say one thing and do another—except the shoals off Anclote were hungry, and the tide miscounted herself, and the ship kissed sand hard enough to bite through.

That’s when the mermaid surfaced.

Do not picture Disney. No clamshells, no bashful hair curtain. Picture a woman made of pressure and salt, her throat latticed with the faint pale scars of gill-slits that open only when she sings. Picture a gaze like a cutlass: bright, unarguable. Her hair wasn’t hair; it was the moving shade you find under mangroves when you think you’re alone.

She looked at Yanni first, because he was tied to the mast and the mast was stubborn. She cocked her head and listened. That’s the part everyone gets wrong—mermaids don’t smell your fear, they hear it. The tremor of it. The bassline in your blood.

“What do you want?” she asked him.

“To live,” he said, which was at least honest.

“And what will you give the water for that?” she asked him, which was at least polite.

“Everything,” he said, which was a mistake.

His crew screamed when the hull buckled. He didn’t. He just watched her. She slid closer. She reached up and laid two fingers on the rope that made a girdle of his chest. The knots went slack like they were embarrassed to be caught at it. He stepped free and almost fell, because the ship had listed, because the sea had opinions, because he had just chosen life without reading the contract.

She cupped his jaw like a lover and kissed him. It tasted like the moment before lightning.

“Done,” she said, and let go.

The ship broke. The crew went into the green panic. Yanni did not drown. He did not even swallow water. He slid into the Gulf like into a second skin and found he did not sink and did not float and did not need anything so vulgar as air. The storm bruised past, sulking. The Anclote shoals let go of their new toy. By morning the ship had become a rumor, and Yanni had become a story no one could tell correctly.

Immortality sounds grand. It is not. It is being kept.

He tried to go north. The current turned him sideways. He tried to go south. The eddies laughed him back. He swore and spat and pleaded and sang. He offered oaths that meant something and bribes that didn’t. The mermaid did not come. The shoals did.

The first time the Phantom rose, people thought it was a trick of heat. Sails don’t do that, someone said, meaning glow. But the sails did that. The ribs of the ship showed faintly through the white like bones in a good x-ray. The hull didn’t mark the water so much as etch it. Wherever it went, the plankton woke and went to church.

That was the point. Warnings are for the living. Yanni’s debt was simple: steer the storms away from the mouth of the river. Keep the sponge boats safe. Let Tarpon Springs sleep. The Gulf—cold patron that she is—makes deals all the time. She only asks for enforcement.

Every season has a shape if you look. That year, the storms came like a pack—restless, lean. Each time one tried to nose past Anclote Key, the Phantom cut across its face, a slash of light on flat water. The storm would shiver, shoulder itself a few degrees east, and go off to teach Clearwater a lesson or ravage the long beaches farther down. People clapped the sand from their hands, grateful. The docks smelled like beer and diesel. My grandmother set a plate at the end of the table and said it was for the Captain. She’d salt it herself. She always salted his empty plate.

She never went out when the sails showed. She wasn’t foolish. “You don’t wave at a funeral,” she said. “Even if it’s someone else’s.”

Of course I waved.

Of course I went.

I was nineteen and reckless, and the Anclote at dusk makes you believe you are the center of a very generous map. My grandmother fell asleep in her rocker with the radio mumbling forecast, and I slid the skiff down the mud like a secret.

The Phantom was to the west, tracking the black seam of a storm that hadn’t yet been born. The sky wore that hard yellow you only see when the sun has decided to be theatrical. I didn’t aim at the ship—I’m not that much of a fool—but I wanted to be near it. To see if the bones were real.

They were. So was he.

He stood at the rail like the statue every harbor wants: chin lifted, coat moving in a wind I couldn’t feel. He was not beautiful. He was an old man and a young one layered like shale, time wrong-footed around him. When the bioluminescence caught his shadow, it threw a second ship alongside, quick as palming a card.

“You don’t belong here,” he said.

His voice landed in my chest like it had sailed there.

“Neither do you,” I said, because I was nineteen.

He smiled the way men smile when they forgive you for being rude because it reminds them they were alive once. “I belong precisely here,” he said. “That is the problem.”

“Does she ever come back?” I asked. “The one who kissed you.”

More shadow than hand gripped the rail. For a second the sea around the ship went dark, like all the tiny lights took a breath. “She comes,” he said. “When the tide brings her. When the shoals are thirsty. When the world forgets to balance itself and I have to remind it.”

“That sounds lonely.”

“It is a job.”

“What happens if you refuse?” I asked.

He looked toward the river like it was a child sleeping. “Then the storm comes in.”

“I’m not asking if it’s necessary,” I said. “I’m asking what happens to you.”

He looked at me then. Found the measure of me. Decided to spend the truth on me like coin. “I drown,” he said. “And wake up on my deck. And do it again.”

The first drop of rain hit my cheek like punctuation. The line between sea and sky erased itself. My skiff rocked a little, eager to make this into a mistake. I thought of my grandmother, salt on an empty plate. I thought of the men at the docks who lived on tips and weather, of the kids who would grow up and pretend not to believe because pretending is a kind of armor.

“I could help you,” I blurted, and had no plan to add to it.

He laughed. It was a surprisingly soft sound. “You would throw your life against a promise a king could not break,” he said. “Keep your life. Spend it well.”

The rain found its rhythm. The Phantom eased between me and the mouth of the river, a bright, impossible knife. The storm shouldered us like we were furniture to be rearranged. I rode the chop back, swearing I would not look over my shoulder, then breaking that promise three times because I am exactly the kind of woman who breaks that promise three times.

From shore, the Phantom looked smaller. That’s how safety always looks: insufficient until it works.

My grandmother didn’t scold me. She handed me a towel and set another place. The radio said the storm had veered east. The Mermaid—if she came—came without ceremony. The tide climbed the pilings and combed her hair with eelgrass.

I kept the secret of Yanni’s face like a pearl I wasn’t sure how to wear. I finished school. I came back. I left again. Hurricanes introduced themselves, each with a fresh name and the same old hunger. The Phantom lit the water like a final candle. The storms curved and went to break something that wasn’t us. On Sundays, I salted the plate.

Last year, when the Gulf ran a fever and the fish started floating belly-up like coins with the wrong monarch stamped on them, I went back to the docks. The tourists still took pictures with the bronze diver. The fishermen still cursed softly in Greek. The sky had gone that color again: the yellow that pries open a mouth.

The Phantom rose before the first advisory. No one else seemed to see it. Maybe eyes learn to slide off certain truths. Maybe grace is angles.

I borrowed the skiff out of habit and regret. The river wore its pretty face—girls in cotton dresses, boys with shotgun smiles. I pushed past them like a rude prayer. Out in the channel the current clawed at the hull with the determined affection of a cat.

I didn’t get as close this time. Didn’t need to. He was there. He is always there.

“You came back,” he said.

“You always knew I would,” I said. “We don’t leave our dead alone.”

He gestured at the shoals. The water there boiled politely. “I am not dead.”

“That’s the problem,” I said, and surprised us both with the anger in it.

He tilted his head, listening to something I couldn’t hear. Maybe her. Maybe the river learning a new word. He took off his hat—black, wrong century, wrong world—and bowed the kind of bow that says I learned manners where they were weapon and art both. When he lifted his head his eyes had gone as colorless as rain.

“Would you like to see it?” he asked.

“See what?”

“The contract.”

The mermaid rose without breaking the surface. That’s the best way I can say it. The light changed. The water around the Phantom went from green to the blue you taste behind your teeth when you’ve swum too long. A shape. A shadow. Not a woman, not not a woman. If holiness has cousins, she is a first cousin. She did not look at me. I know because if she had, I wouldn’t be telling this. She looked only at him.

“Payment,” she whispered, and the river bent toward her like a reed.

He stood very straight. He did not look at me, either. Maybe that was his kindness. Maybe that was mine.

“Go home,” he said.

“I could—” I started.

“You could drown,” he said, and smiled that soft, infuriating smile, and turned toward the open Gulf where the line of the storm had thickened into a wall.

I did as I was told, one time in my life. I went home. I salted the plate. The radio spoke in that calm voice that knows the difference between panic and information. The storm turned. It flooded streets with names I grew up saying. It tore a hole through neighborhoods that had never learned to fear water. It left us with our roofs intact and our gratitude loud. We said things like miracle and luck. We did not say debt. We did not say kept.

At dawn, when the shrimpers went out to check their luck and count their boats, one skiff found the shoals shallow as bone. The Phantom was not there. The water glowed tiredly, like a saint after a long day. I went to the river with coffee and an apology and watched mullet throw themselves at the air like they could fix gravity with enthusiasm alone.

The Phantom came back that night. Of course he did. That’s the contract. He will be there tomorrow, too, unless he won’t. The Gulf always wins. Not today is the best Florida can hope for.

Sometimes, late, I walk the edge of the docks and listen for a voice that never learned how to be unkind. When the tide is right and the sky forgets to lie, I leave a pinch of salt on the rail and thank the kept man who keeps us. I thank the woman who wrote him into the water and never learned how to unwish a thing. I thank the river for taking the shape of the grace we ask for and the grace we deserve.

From certain angles, the sails look like wings.

From certain angles, they look like teeth.

And from the right spot on the right night, if you squint past the glow and the gulls and your own disbelief, you can see the kiss still shining on his mouth like lightning lag—bright, terrible, binding—while he turns the storm aside for us again.

The Bay That Storms Forget

Boat-with-Sponges

The Gulf is too hot this year. The water feels heavy, the air thick with it, and yet summer has nearly passed without a single storm. No spirals spinning on the maps, no frantic rush for plywood or bottled water. Just stillness, and stillness is never safe.

My grandmother used to say the Bay was blessed. She would tell me stories about covenants whispered into the tide, or a princess buried in the water with her drowned warriors guarding her rest. And when storms spun wide and furious, only to curve away at the last moment, she would nod and say, “See? The Bay protects her own.”

I believed her, until I met Daniel. He was a fisherman, older than me, his skin the color of weathered rope, his eyes always turned toward the horizon. He said the Bay wasn’t blessed at all. “She’s beautiful,” he told me once, “but beauty like that always takes something back.” He’d lost a brother to a calm sea — no warning, no storm, just a boat that never came home. “The Bay feeds on us,” he said, “and that’s why the storms don’t stay.”

I didn’t know what to make of it, not then. But I remembered when Daniel himself vanished. Clear skies, flat water, and he never returned. The Coast Guard called it an accident. His family called it bad luck. But I knew. The Bay had reached for him the way a jealous lover reaches, and she had kept him.

That’s when I understood what my grandmother never said out loud: spared doesn’t mean safe.

The storms still circle. They pace the horizon like wolves, throwing their weight against the Gulf, but when they reach the Bay, they falter. They turn aside. And every time they do, another village farther up the coast is torn apart, another marsh is drowned, another name is added to the roll of the lost.

People here still call it a blessing. They laugh about the bubble, say the storms never land, pour another drink while they patch their roofs. But I think about Daniel, about his brother, about all the others the Bay has claimed when the skies were calm. The Bay doesn’t protect us for free. She takes her payment in flesh and memory.

Now the summer is nearly gone. The air feels too quiet, the water too still, like everything is holding its breath. Maybe the storms will try again soon. Maybe the Bay will sing them aside, as she always does. Maybe she’ll ask for another offering first.

And you know how these stories go.
There’s always a storm.
There’s always a price.