Sacrificial

The tree stood in the living room, centered in the arch of the window, its branches unadorned – naked. Despite being both artificial and pre-lit it had been there for several days because Ellie insisted that even plastic trees had to acclimate before they could be decorated.

Cardinal Ornament

Several RubberMaid totes, their purple hue faded to lavender by time and dust, sat open on the floor, each filled with crumpled tissue in a variety of colors. The same tissue was re-used every year, until it was so tattered and thin that it had to be replaced. The ornaments – mostly glass, but some wood, some tin, and a few made of seashells – once cradled within were scattered haphazardly on the coffee table, two snack trays, and an end table that had seen better days.

For Ellie, decorating the tree had always been her favorite part of the season, as if a piece of holiday magic entered the room with every bauble placed on a waiting bough until – finally – the angel was placed on top, and Christmas arrived in full force.

This year, however, something was different. The air felt heavier, almost as if the house itself were holding its breath. The dogs seemed to sense it too. Mumble had been pacing anxiously all day, and Pork Chop hadn’t even barked at the mailman once.

“Are you ready to start?” Max asked, coming into the room, and causing his wife to jump.

“You scared me!” Ellie said. “And yes… I am.”

“Great!” Max picked up a small yellow ornament – a glass version of a rubber duck. “This guy looks like he wants to be first.”

“Wait!”  Ellie’s cry made her husband freeze in place. “Don’t forget the sacrifice.”

It was the phrase she’d heard every year from her mother, growing up, and from her grandmother as well. “It’s part of the tradition,” the older woman had reminded them every year, her voice quivering. But in all the years those words had been spoken, often during late-night conversations she hadn’t been meant to overhear, Ellie had never known what they meant.

Tonight, Ellie felt the weight of family history. Every year, one ornament had to break. Not intentionally but also not by accident. Well, not exactly.

“What do you mean ‘sacrifice?’” Max asked. He wasn’t usually part of the decorating process from the beginning. Instead, it was up to Ellie and her mother, and he’d come later and do the top section where they couldn’t reach. But Ellie’s mother wasn’t with them anymore, and she’d insisted that she couldn’t – didn’t want to – decorate the tree alone.

“Mom told me once that it’s for the tree. To make the magic work.”  Ellie frowned as she said it. The notion was absurd. Still, she couldn’t shake the feeling that her mother might have been right. She looked at the tree: it seemed to loom larger than its actual size, the dark green needles casting shadows that looked like clutching fingers on all the walls of the room.

Fighting a shiver, Ellie told their smart speaker to play Christmas music, and she and Max sang along to Bing, Johnny, Burl, and Nat as they began to decorate.

Carefully, they began placing the ornaments on the branches. Ellie’s hands trembled as she hung a shimmering snowflake as high as she could manage. Every brush of her sleeve against the needles or clink of glass as the ornaments touched made her flinch.

As the hours passed, the tree grew more beautiful, but the weight in the air grew heavier, pressing down on Ellie’s chest.

“Is it time?” Max asked as they neared the end of their task.

The remaining ornaments were among the oldest in their collection, things that Ellie’s mother had bought for her when she was still a baby. This one was from her very first Christmas, and that one was from the year Max proposed. How could she choose one to be destroyed?

The answer came not from her, but from the tree itself. A low creak echoed through the room, the sound of the center pole groaning under an unseen weight. The branches trembled, shaking the ornaments as if impatient.

“I guess it’s now,” Ellie said.

She picked up an old glass cardinal with a chipped tail feather. She held it tightly, her hands cold even though the room was warm. Cardinals had been her grandmother’s favorite bird. Standing in front of the tree she reached to slip the gold thread around the branch, but the second she let go, it came loose.

It fell in slow motion, spinning as it descended toward the tile floor. When it landed, the sound was sharper than Ellie expected, the shattering glass echoing like a gunshot.

The music stopped. The room fell silent. The shadows around the tree seemed to shift, retreating as though satisfied. The air grew lighter, the oppressive weight dissipating until Ellie was breathing freely once more. Staring down at the tiny pieces of red glass, she whispered, “It’s done.”

Max restarted the music and went to get the broom. The dogs sniffed the air, then jumped onto the couch, settling into opposing corners.

And the tree? It seemed to hum with approval, its lights glowing brighter. Ellie even thought she detected faint movement from the branches… a bow of gratitude, almost.

Later that night, as she and Max sipped spiked eggnog in the darkened living room with only the tree lights for illumination, it occurred to Ellie that the broken ornament had meant more than just a ritual sacrifice. It was a sort of a pact. The tree would retain Christmas magic until the dawn of New Year’s Day, when the ornaments would be removed.

Still, she had to wonder: what would happen if the tree ever went without?

 

 

Special thanks to Kymm and Francesca for naming the dogs.

Flames of Winter

The darkness of the whole world cannot swallow the glowing of a candle.  ~Robert Altinger

Winter FlameChristmas. Hanukkah. Yule. Whether you come from a single faith tradition, or from a family like mine, that blends and merges traditions from several cultures, there is no shortage of winter holidays to choose from.

All are radically different. Christmas celebrates the birth of Christ. Hanukkah remembers the Maccabees and their defeat of the Seleucids as well as the rededication of their temple and the miracle of the oil, which was only enough for one night, but lasted for eight. Yule originated as a Nordic and Germanic midwinter celebration that involved feasting and gift-giving (and in the oldest celebrations, sacrifices).

And yet, these winter holidays all have something in common as well – aside from the tendency to celebrate with incredibly delicious, albeit unhealthy foods. They all bring light to the longest nights of the year.

True, in this age of technological wonders when we can have books in our hands at the touch of a button, and get antsy when we’re away from our smart-phones or tablets for more than a few minutes, and are limited in our ability to work late into the wee hours, not by waning daylight, but only by our stamina and the amount of caffeine we’re willing to ingest, we no longer rely on candles or firelight for physical illumination.

And yet…

And yet we light candles to mark the progress through Advent.

We light them, one at a time, to count the eight days of Hanukkah.

We build fires in our hearths as symbolic representations of the bonfires our ancestors might have danced around, or we build actual bonfires and invite our friends to dance with us.

We fill our homes with candles that represent nothing more than a cozy glow, and we gather ’round our gas logs or Franklin stoves even when our houses are fitted with central heating systems, because there’s something – some magical thing – about fire that seems to drive away the stress and darkness of winter in a way that electric light never can.

I think we forget, sometimes, that the holidays aren’t always merry and bright. They’re not always full of smiling faces and joyous laughter.

These winter holidays come to us at the end of the year, which means they’re both an ending, a sort of finish line we’re all racing toward, and a final hurdle we must overcome before we have the opportunity to start anew. We fill our homes with those colorful candles and crackling fires as much to keep the shadows at bay and drive away the darkness, as we do to celebrate the light.

Our flames aren’t some form of denial, though. Rather, they’re sort of a nightlight for our souls. They keep our hearts warm and our homes welcoming, and remind us that all winters end.

Yule comes with the Winter Solstice on December 21st. Christmastide and Hanukkah coincide this year, for they both begin on the twenty-fifth. Whether you’re celebrating one of those old holidays, or you’ve embraced something newer, like Kwanzaa or Chalica – or even Festivus – may the flames you ignite keep you warm in body and soul this winter.

 

Originally written for Modern Creative Life

 

The Gift of the Mergi

A handful of pearls. That was all Nerissa had. Oh, she’d grown up in Poseidon’s Grotto, with abalone combs and aquamarine and moonstone gems, but when she’d left the great ocean to marry a land-walker, she’d forfeit her jewels and pirate’s treasure hoards and kept only the handful of her nameday pearls.

And it was nearly Christmas.

The nets

It had been a fair price to pay. Many people believed that mermaids had to give up their voices to walk on land, but that was only true in fairy tales. In the actual world of the sea, merfolk could transform from fins to feet and back at will, but they had to dip their toes in the water at least once a week.

This was no trouble for Nerissa since her land-walker husband worked on the sea. Her Stavros was a fisherman with strong arms and a kind smile, eyes the color of the perfect wave, and dimples you could fill with a tide pool. He was also the owner of a wooden boat – the Sea Witch – inherited from his father’s father’s father, and the original glass floats that helped him find his nets once they were cast. The floats were very old and very valuable, for such things were no longer made, and only the oldest fisherfamilies still used them. They were also beautiful, as iridescent as opals and as delicate as bubbles if not handled carefully.

Nerissa loved helping on the boat. She and Stavros sang sea shanties, and she helped re-weave the nets when they frayed and ensured no sea creatures were accidentally ensnared. Stavros would cast the nets and drag in the catch, laying it in layers of ice. Whenever one of the other fishermen needed an extra hand, Stavros was the first to offer aid, and whenever anyone fell from a boat, Nerissa would be there to swim them to safety.

But every minute Stavros gave to others was time he wasn’t fishing. Then, too, the water had been overwarm this last season, and the catch had been smaller than usual, and Nerissa wanted so much to help her husband succeed… she knew that if she visited her many-times grand-mermother Amphitrite, the old woman would be able to help.

Decision made, Nerissa gathered her precious pearls and ran down to the beach. The water was cold on her bare legs, but once she’d shifted back to her birth-form, the chill didn’t bother her. She descended to the sandy bottom of the sea then swam out beyond the buoys that marked the channel, to where the water was deep blue, and the kelp forests surrounded the grottos where the finfolk lived.

Amphitrite welcomed her with open arms, chiding her for going so long between visits. “Stay for the solstice celebration, child,” the old merwoman said. “And take home a gift from me. Your father would not see you go without. He loves you, though he shows it poorly.”

Stavros, Nerissa knew, would be spending the evening at the Fisherman’s Roost, sharing drinks and stories with his friends. He never drank to get drunk, but just as she had her friends in the water, he needed to maintain his friendships on land. “I’ll stay,” agreed. “But I need your help.”

With luminescent tears pooling in her eyes, then dripping down her face, the younger mermaid told the older one about her two-footed husband, and his total acceptance of her needs. “He works so hard to take care of the Sea Witch, and to take care of me and….” Nerissa paused, placing her hand just below the point where skin turned into scales. “We are to have a child a few moons after the turning of the year..”

“And you want to share the grace of Glaucos with him,” the old merwoman said. “What gift would you bestow upon your human lover, child?”

“I wish to give him one of Glaucos’s nets,” Nerissa answered. “I would offer my voice, if it were a fair bargain.”

“The sea would prefer your voice remain where you can use it to sing songs and speak words of curse or comfort,” Amphitrite answered. “What else can you share?”

“I would offer my hair, if it were a fair bargain.”

“Your beautiful blue hair does far more good on your head, then lost to the waves, my dear,” the many-times great-grandmermother said. “I’m so sorry.”

“Then, I would offer my nameday pearls,” Nerissa said, “if it were a fair bargain.”

“Your nameday pearls carry the magic of your mother’s love, child. It is a fair bargain, and I will give you Glaucos’s nets, that your lover…”

“ – husband—”

“…husband, then, may never have a catch that isn’t bountiful.”

The bargain maid, Nerissa enjoyed the music and dancing of the merfolk, and the parade of phosphorescence that brought in the solstice and the change of seasons. When she left, two young mermen escorted her back to the Sea Witch, leaving the nets in a pile on the deck.

On Christmas morning, Stavros watched Nerissa frolic in the waves for an hour, joining her at the end, then lifting her into his arms and carrying her back to their cottage on the cliff. He had fashioned a Christmas tree from pieces of driftwood draped with pine boughs and decorated it with lights and seashells and fishing lures. At the top, one of his old foul-weather hats gleamed yellow and bright.

And under the tree were two packages. A large lumpy one, wrapped in sailcloth, and a wee box with a blue-green ribbon that almost matched Nerissa’s hair.

“Stavros, this is lovely!,” Nerissa said.

“I wanted our tree to reflect us,” he said. “Shall we brew a pot of strong tea and sip it while we open our presents?”

Nerissa made the tea, and Stavros sliced some ginger cake, and they sipped and nibbled and talked about her solstice celebration and his evening with his friends, and then they turned toward the gifts, one for each of them.

Nerissa opened the box first, and when she saw what was nestled within, she began to cry great salty tears.

“What’s wrong, lass. Do you not like it?” Stavros asked. “I know it’s plain, but I thought you could string your pearls on it. You never wear them.”

“It’s beautiful,” Nerissa said, lifting the fine gold chain and letting it hang from her long fingers. “But I’ll have to string it with shells for now, because I traded my pearls to acquire your gift. Open it, please?”

Stavros did as he was bidden, and untied the sailcloth bundle to find new fishnets that gleamed almost as golden as the chain his wife was clutching and radiating a sort of power he couldn’t identify. “These are brand new,” he said.

“They are imbued with the grace of Glaucos,” Nerissa explained. “He’s the protector of fishermen and will guarantee a bountiful catch with every use.”

“It’s a generous gift, my love, but…”

“But what?”

“I sold my floats to buy your chain,” Stavros said. “I have cork floats, but I don’t think they’re buoyant enough to support this net.”

For a long moment, both were silent. Then Nerissa spoke. “It would appear the Mergi are smiling upon us this year.”

“The… Mergi?”

“Yes. In your land-walker tradition you have stories of the magi – the wise men who brought gifts to the holy child when he was born. In the Ways of the Water, we have the Mergi – wise ones who guide our hands and hearts away from selfishness and greed. In our efforts to give to each other unselfishly, we gave up our greatest treasures, and for that, the Mergi smile.

In fairy tales, there is always a happy ending, but Nerissa and Stavros live in the real world. Still, they were respected and loved by their separate communities. When the couple arrived at the harbormaster’s cottage for the annual holiday toast, each of Stavros’s friends brought a single glass float to give to him. Combined, they were just enough to support the new net.

Days later, at the first tide of the new year, Nerissa and Stavros returned to the Sea Witch and found a cradle waiting there, piled high with sweet saltgrass. Nestled in the center was a small chest, and inside that was a single pearl, a fistful of pirate’s gold, and a note from Amphitrite to “bring your daughter to meet me, when she is born.”

Nerissa and Stavros lived, and fished, for many decades, and every year on their daughter’s nameday, they would bring their daughter Pearl to visit Poseidon’s Grotto and hear stories from her many-times great-grandmermother.

With apologies to O. Henry and Hans Christian Andersen

An Excerpt from “A MerChild’s Christmas with Whales”

Merchild Christmas with Whales

There are always Aunties in the Mermaid Coves. The same Aunties. And on solstice mornings, with landwalker-entrancing song and candy darters, they would send me out to play and I would glide through the swaying kelp searching for news of the Seven Seas, and always find a barnacle-crusted whale by the deep trench or perhaps a clownfish with its colors dimmed by the colder water.

Merfolk and sea-creatures would be swooping and diving, riding the current with bubble-blown sighs and salt-scrubbed faces, all shimmering pale, their flicking fins and glinting scales catching the reflection of the sun against the careless tides.

Fronds of seaweed and clusters of anemones were draped over the branching coral in all the grottos; there were jugs of briny nectar, and succulent shellfish, and too many varieties of plankton and cheesefish and shellcrackers. Crabs in their crusty coats skittered near the phosphorescent rocks and the bioluminescence lit the caverns, making them ready for tales and shanties galore.

Some few large mermen sat on carved couches without their ceremonial sashes, Uncles all of them, trying their new conch pipes – holding them at arm’s length then returning them to their lips, blowing mournful tones like muted foghorns then holding them out again as though waiting for a whalesong reply.

And those loving Aunties, not needed to tend the cauldrons of fish stew (or for anything else, really) perch on the edges of their limestone chairs, poised but fierce, ready to crack shell and splash tail, but also on guard for the impending arrival of Sandy Klaws.

With apologies to Dylan Thomas.

String Theory

1678 - Adrian Borda - AdrianBorda dot Com

“Vasily, my friend, the Symphony board asked me to approach you.” I said to the man in the straight-backed chair.

“The light,” my old friend responded. “I’m trying to capture the way light filters through the F-holes. Can you imagine? Standing next to the soundpost as a string is plucked or bowed. It must refract the light.”

“I don’t think music works that way,” I said. “I don’t understand what you mean.”

“Inside the cello, the light beams into the soft, unvarnished wood, like the sun does in a forest. Particles of light dancing in the raw darkness.”

“And the strings change the light?”

“The sound… the sound moves the air; the air bends the light.” He lifted his head from the instrument he was cradling against his body. His dark eyes found mine, and I saw universes spinning in their depths.

“Vasily, are you alright?”

“I am the music,” he said. “The music is me. I am my instrument. It plays me. The light gleams and the sound shakes all of creation.”

“The sound of your cello?” I wondered if I should be calling the staff physician.

“My cello, your viola. The doorstop when you stub it with your toe. The stars. The stars sing their light.”  He pauses, then lifts his hand. “In the beginning, there was the Word, but what was before the beginning? What came before the word?”

“Music?” I guessed.

“Music! Yes. Music shapes creation. Music shapes us all.”

Apparently, this was as lucid as my old friend was going to get. “Vasily, the Symphony wants to commission a new concerto from you. For the new season.” I waited for him to respond. When he did not, I asked gently. “Vasily, they want you to compose. Do you understand?”

My friend was silent. Then he raised his right hand, the one gripping his bow. He played a note, then a scale, then a tune I’d never heard before, and for just a second, I felt like I understood the universe and it understood me. But only for a second.

“Vasily?” I spoke his name again.

He continued to play.

I checked my watch. I was due back at the university where a new group of students was waiting to learn Music Theory 101 from the famous conductor – me. “Vasily, I’m afraid I have to leave now. Shall I come back later in the week – take you to lunch?

“Lunch… yes.. at the café in the park,” he said. “I need to see the light on the water and hear the way it’s shaped.”

Nothing he said made sense to me, but I was certain it was making sense to him. “Alright, then. I’ll be back on Thursday at one. Perhaps we can discuss your commission then.”

“Commission… I should charge the length of a comet’s tail. But I will settle for my usual fee. A concerto for strings and light… ready for September.”

“Vasily, are you sure?”

“Nothing is sure.”

“Pitches are sure.”

He shook his head, “Oh, if only that were so.”

Vasily lifted his bow, put it back down, and repeated the strange tune he’d played a few minutes ago. He ignored me when I said goodbye and I made sure to close the door to his studio as softly as possible.

On Thursday morning, I received a text message. “Keep your tie on. I need to know how red sounds near water. See you at one.”

I stared at my reflection in the window of my classroom. How had he known I’d already been wearing a red tie?”

Image Source: Adrian Borda

28 Plays Later 2024 – Brief #12 – The Trilogy Challenge (Part I): Rochambeau Rumble

RPS

 

Excerpt:

ANNOUNCER (off)

Gentlebeings  – and not so Gentlebeings – welcome to this year’s Rochambeau Rumble, where an intergalactic panel of players tries to win the ultimate game of Rock, Paper, Scissors. Let’s meet them. Rock, who are you and where are you from?

ROCK:

Name’s Thaaj. From Tellarus. I work as a blaster in the flobutnum mines. Got a wife and a son who’s gonna be a miner like me some day. (beat) I will crush the competition. (Rock holds his arm up, one hand in a fist.)

ANNOUNCER (off):

Alright, next is Paper. Tell us about yourself.

PAPER:

I’m Laihaina from Serenity, and I’m a schoolteacher in the Interplanetary School on Novelus Two. I don’t want to boast, but I’m pretty sure I’ve got my competitors all wrapped up.  (Paper extends one arm in front of her, her hand flat like paper.)

ANNOUNCER (off):

Well good luck to you, Paper. I hope your students are watching tonight and cheering you on. Scissors, you’re up.

SCISSORS:

I’m Aelak of Fiskar. I’m a cardio-thoracic resident, and I’ve never lost a patient. I plan to cut through the competition. (He extends his arm to the side, his hand in a scissors position.)

ANNOUNCER (nervous laughter):

Well, that’s great, Scissors. Thanks for that. (recovers) Audience, the stage is set, the players all seem pretty confident. (shifts to a Monster Truck announcer voice): Let’s get ready to RUMBLE!  (beat) Round one begins now. Players… take your marks.

Read the Entire Play:  012 – 2402.15 – Rochambeau Rumble

Important Note:

This play mentions three different charities, all of them are real, and I hope you’ll consider throwing some or all of them a few bucks:

Paper for Water

Doctors Without Borders

The Halo Trust

 

28 Plays Later 2024 – Brief #11 – The First Line Challenge: Comparing Apples and Bananas

Excerpt:

LINDA (still waving the knife): You never know anything do you. Never read the briefs, never check the news. You’re always just stumbling around in the dark. You’re lucky you got out alive.

JACK: Don’t you dare blame me for this. If I hadn’t pretended to be one of the potential buyers, we’d never even know it had been sold! You were the one who knew it’s worth, Linda Lee. You’re just as responsible as I am!

LINDA (bitter laughter): Me? Responsible? Hardly. I’m just a pawn in your game, Jack. (mimics him) “Boo hoo, I didn’t have the scratch!” (normal voice) You think you can manipulate me, but I see right through you.

JACK (leaps to his feet): You? You don’t know anything about me! You have no clue what I’ve been through!

LINDA (advancing with the knife): Oh, I know more than you realize, Jack-o. I know about the lies, the betr – beray – betryl –

JACK (correcting her drunken misspeech): Betrayal.

LINDA (still drunk): Right, betrayal.

Read the entire play here: 011 – 2402.14 – Comparing Apples and Bananas

28 Plays Later 2024 – Brief #010 – The Original Musical Challenge: Mother of Water

Walking Into the Sea

Excerpt:

Old Fisherman:
I put to see at the break of dawn

Seamen’s Chorus:
Mother of Water, guide me on.

Old Fisherman:
I search for where the fish have gone.

Seamen’s Chorus:
Mother of Water, guide me on.

All:
Mother of Water, mother of waves!
Other lives she takes but ours she saves!

Read the Entire Play Here: 010 – 2402.12 – Mother of Water

28 Plays Later 2024 – Brief #09 – The Song Challenge: Remembering the Sky

barley-field-1684052_1280

 

Excerpt:

Father:

Sometimes we had to be reminded, but the truth is, we had other kinds of learning, not just what a Teacher laid out for us. Your grandfather taught me to catch fish, and clean and cook them, and your grandmother taught me how to bake bread.

Son:

That doesn’t sound very efficient. Replicators are less messy and less wasteful.

Father:

Mm. So they are, but food tasted better, then. And no recreational program can beat the feeling of falling snow getting into your eyes and hair. It was annoying, but it was also magical.

(He sings)

I remember snow
Soft as feathers
Sharp as thumb tacks
Coming down like lint
And it made you squint
When the wind would blow…

Read the entire play here: 009 – 2402.10 – Remembering the Sky

28 Plays Later 2024 – Brief #08 -The Sports Challenge: Dancing With Dinosaurs

Dancing With Dinosaurs

 

Excerpt

As I said, these gators are all nuisance animals. They were brought here from someone’s pond, canal, or swimming pool. They crashed a barbecue and drank all the beer – or more likely, someone’s dog or cat. Here in Florida, when a gator is deemed a nuisance – and they have to be at least four feet long for that to happen – you will call the gator hotline – it’s 866-FWC-GATOR – and they’ll send a trapper. Whether it’s a large alligator or a smaller one, whether it’s the same cost to you – nothing. The trapper’s payment is that they get to keep the animal. They usually keep them until they have ten or twenty, and then they sell them to a processing plant where they get used for leather and meat. Some very lucky gators are trapped by organizations like mine, which bring them to refuges. They can never, never be released back into the wild. You may wonder if we’re helping. Sadly, we’re only helping a very few animals. We humans are encroaching into their territory and developing their wetland homes into condos and housing developments, and they die. Last year, my rescue saved about fifteen alligators. The state of Florida killed over ten thousand.

Read the entire play here: 008 – 2402.08 – Dancing With Dinosaurs