This piece originally ran as part of my Sunday Brunch column in All Things Girl on 12 January 2014.

A few days ago, I made a post on Facebook about how while most of the country had been in the throes of a polar vortex which made temperatures plunge into the sub-zero ranges, I had been in the throes of a writing vortex. I gave the credit for my recent habit of writing in excess of 5,000 words a day to a green hat my friend Jeremy made for me several years ago.

It’s true that this particular hat has been my headgear of choice this winter, but it’s not the first “writing hat” I’ve ever had. It’s also true that was not my first-ever writing vortex, but it’s the longest, most productive such period I’ve had in probably a decade, and that includes at least four successful completions of NaNoWriMo (National Novel Writing Month).

For me, both the hats and the vortices began with Jo March, my favorite character from Little Women, which I read for the first time when I was six. At first my mother read the chapters aloud to me at bedtime, but eventually I grew impatient to know what came next, and I improved my reading ability so I could find out. That was the last book we read together in that way; now we just trade books back and forth.

In any case, the image of Jo with her special writing clothes on, scribbling away in her attic atelier, is one that instantly entranced me, and I’ve been using my own form of writerly cos-play to keep the muse active ever since. Sometimes that includes whole outfits; but mostly it involves hats.

My first writing hat was a black velvet beret, big enough for me to tuck all my hair into (at a time when I had long hair, even) and adorned by a red bow. At least, it had a red bow until the bow fell off, and after that I decorated it with a succession of funky pins – gold stars, silver fairies, a bar pin featuring a jazz trio – things of that ilk. I wore that hat forever, and not just to write. It was a trusty friend through my high school and college years, until I finally killed it by accidentally melting it to death with a curling iron.

In retrospect, the curling iron vandalism might have been a sort of homage to Jo March as well, albeit an unintentional one.

My second writing hat was also black and velvet, but this time it was a baseball cap. I love baseball caps because when my hair is long enough for a pony-tail, I can stick it through the gap above the adjustment tab. This one was pretty plain, but I jazzed it up with a giant dragon-fly pin. Once, I wore it to work (it was a hat-friendly workplace) and my supervisor looked at it and said, “That dragon-fly is scary. And awesome. Carry on.”

I still have that hat, but I don’t really wear it to write any more, mostly because my hair is too short for a pony-tail, but partly because that dragon-fly pin is really heavy.

When I was performing with the Dallas ComedySportz troupe several years ago, I shifted my usual headgear from hats to bandannas – do-rags in the current parlance – collecting them in a wide variety of colors and styles. My favorites include a black one with lavender and green dragon-flies, and a white one with black and gold paisley patterns. I like these “kerchiefs,” as my grandmother would have called them, because they keep my hair out of my face without hurting my scalp (like a too-tight or too-heavy pony-tail can) or being too hot or heavy. I also like them because they make pirate fantasies much more accessible, but that’s another story.

So, why am I now wearing a green hat that can be a watch cap or a beret? Well, first, my friend made it for me, and I miss his daily presence in my life, so this hat is a connection to another very cool, creative person. The other reason is that, until yesterday, it’s been legitimately cold here in Texas (and not just in a cold-for-Texas kind of way – it was 23 degrees earlier this week.), and when you keep your head warm, you retain your body heat. It’s never been a secret that I like to have cool air when I sleep, but when I’m awake and writing, I prefer to be comfortably warm, and the hat has helped keep me that way.

Unlike Jo March in her garret, I don’t use the position of my hat to signal the state of my muse or telegraph my mood, but the presence (or absence) of some kind of headgear absolutely alerts my husband to whether or not my “genius is burning.”

Can great writing be accomplished without an awesome hat? Of course.

But wearing a hat, and channeling a favorite character (even if it’s a character of your own creation) makes writing – great or not – a lot more fun.

“Every few weeks she would shut herself up in her room, put on her scribbling suit, and “fall into a vortex” as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her “scribbling suit” consisted of a black woolen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, “Does genius burn, Jo?” They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gaily erect upon the gifted brow, did any one dare address Jo.”

~ Louisa May Alcott, Little Women