Eclipse

Like the Prose: Challenge #1 – So today we write about birth. Perhaps write an autobiographical story about a memorable birthday party? Or a funny anecdote that happened to a friend at a birthday? Perhaps a surreal story about someone being born?

 

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It’s hot. It’s hot and it’s humid and the only thing that makes this hot-and-humid different from the hot-and-humid he was in a week ago is that a week ago there was blood in his boots from marching through the jungle in the dark and now he’s not wearing boots; his feet are wrapped in cotton gauze and there are blue cloth booties over that.

There’s gauze around his right bicep, too, and bandages over that, and he can’t tell if the wetness seeping through the layers of cotton and gauze is sweat or blood or both, and he wants to look but he also doesn’t.

It’s early morning, the time when choppers usually come out of the night… or the planes come to blanket the jungle with strafing fire. Ignoring his arm, he turns his head to look out the window. There’s a partial lunar eclipse, they told him, but he’s not sure he wants to see the moon in shadow.

The moon has always been his friend.

He closes his eyes, but he swears he can hear the blades of the whirlybirds circling closer and closer and feel the breeze from their spinning blades….

The smell of bacon – bacon? – and antiseptic take him out of the war-torn jungle and put him back in the here-and-now.

He’s Private Miller. Gregory Miller. Drafted. Taught to shoot at people he never had an issue with. People who were shooting at him for reasons he’s still not sure of. And they didn’t miss, but they also didn’t kill him, so he’s back stateside in New Jersey, in August, in a hospital with no a/c and a rickety fan that sounds like an incoming helicopter… at least to someone like him.

A corpsman comes with a breakfast tray and he asks about the heat.

Energy crisis, he’s told. Only the surgical theaters, ICU, and maternity wards have cooling, per orders of the commander-in-chief.

He’s been taught to respect the office, if not the man, but he can’t help but wonder if Tricky Dick is doing this to punish the military for not crushing the VC and ousting Ho Chi Minh.

He eats his breakfast. The bacon and eggs are real, not rations, and the coffee is amazing, despite the hot-and-humid that’s settled into his bones, even here, in the clean, bright, hospital.

When the corpsman comes for the tray, he asks for help to use the bathroom, and then he goes back to bed and loses himself in sleep. He isn’t really sleepy, but at the same time, he’s exhausted.

* * *

The light has changed when he wakes again, in time for lunch. A burger, fries, a salad, an icy cold Coke in a glass bottle. Vintage. He’d kill for a beer, but the cola is almost as good right now. It’s proof he’s really home. Or close to it, anyway.

After lunch another corpsman comes to help him to the bathroom. He’s shaky. His feet are tender, but he’s grateful to have them. He was half-convinced he’d wake up to find stumps – he remembers the line of infection starting up his leg. Luck. It’s all just fucking luck.

The corpsman has a wheelchair waiting when he leaves the bathroom, but he doesn’t take him back to the ward.

“Am I being kidnapped?” he asks, only half-kidding.

“Nope. Rescued.”

The corpsman is the size of a linebacker, black, with dark eyes that are difficult to read. His looks make him more likely to be on a football field or at the door of a disreputable bar than in a military hospital. But Miller feels like the bigger man can be trusted.

“Thought I already was.”

“Rescue,” the corpsman says, “is an ongoing process.”

He accepts the statement as they leave the general ward and enter the maternity ward. Cool air wraps around him almost immediately, and he sighs, sinking into it. “Ohhh, that’s nice.”

“Yup, it is. But ya gotta earn it.”

“Oh?”

“Yup.”

“How?”

They enter a room full of bassinets. About half aren’t in use. Some hold sleeping babies. The rest… he realizes that while some of the people in the rockers are new mothers, new fathers, some are wounded vets, like him.

“I don’t have a kid here,” he says.

“I know.” The corpsman stops him near a bassinet with a baby girl in it (he knows it’s a girl because she’s got a pink bow taped to her bassinet. There’s no name yet.) “Did you know that human contact in the first few hours after birth is crucial for newborns? This little girl just joined us today. Her mother’s asthmatic. It was a rough delivery. She’s exhausted. It’d be a big help if you could hold her for a while.”

“I’ve never held a baby.”

“I’ll teach you.”

“But… I… won’t her father be pissed…?”

“He’s – ah – not in the picture.”

He moves to the rocker, lets the corpsman place the tiny baby in his hands. She’s not even as long as his arm, from elbow to wrist. And she smells clean and new… Ivory soap and new beginnings wrapped in a cotton blanket.

The rocking begins unconsciously. He’s in a rocker. It’s what you do. The singing. Well. Probably no one’s ever tried to turn “We Gotta Get Out Of This Place” into a lullaby before, but the baby doesn’t seem to care about the lyrics.

And the air conditioning is bliss.

* * *

He comes to rock the little girl every day that week, always in the late afternoon. On Friday, they wheel in a woman wearing a yellow nightgown under her hospital-issue robe and slippers. “I think you’re in my spot,” she says, her tone wry.

“You’re her mother?”

“Yes.”

“She’s beautiful.” He gives up the rocker, and hands over the baby, asking, “Have you picked a name yet?”

“I was going to name her after my brother, but he insisted that I can’t burden a child with a name like his.”  She shares the name with him, and he agrees it’s awful.

“Is your brother a soldier?”

The woman looks away. “Not exactly.”

AWOL then, he’s guessing, or something else. “I’m sorry. I’m just – ”

Yellow-nightgown woman is quick to assure him, “No, it’s fine. My father’s career Army. He’ll fix it, but it hurt him, and… it’s just hard.” She pauses. Her tone is softer when she asks, “Were you at Ripcord?”

He is surprised she knows the name. Most people just know “Vietnam” and nothing else. Most people don’t care about the details. “Yeah. It was… ”

“You don’t have to tell me,” she says. “I’m glad you got out.”

“Thank you,” he answers, because he doesn’t know what else to say. The corpsman comes to take him back to his bed, then, but he offers, as he leaves, “Maybe you could use the first letter of your brother’s name. And… if it helps? I usually find inspiration in the shower.”

She smiles at his suggestion then turns her entire focus on her tiny daughter.

He goes back to bed. Someone in the ward has found a radio, and he finds himself listening to the Phillies play Houston in a double header. They win one and lose won, and he chuckles as he eats his dinner, because the results seem a perfect metaphor for his life, the war, the world.

* * *

On Saturday, when the corpsman wheels him to the nursery, the little girl is gone, and a baby boy with tight black curls is waiting to be held. Mark is his name, and his skin isn’t as dark now as it one day will be, he is told, but a baby is a baby is a baby and there’s something cleansing in holding these new lives.

Still, he is pleased to find that the charge nurse has a message for him: “The captain’s daughter says to tell you that the shower helped, and the baby’s name is Melissa.”

He is Private Miller, comma, Gregory, and he served three years in Vietnam, and made it home wounded, but alive. He will never tell anyone – not his priest, not his best friends, not even the woman he will one day marry – about the children his unit killed, or the children his unit left parentless and homeless, or the families whose homes  were burned, or any of the other horrible things he saw. He  will wrap those memories inside a piece of olive drab canvas and hide them in the deepest part of his heart.

But he will also hold onto a better memory: On the day after the eclipse, on a hot and humid day in the middle of August, he met a brand new baby and was reminded that hope still exists in the world.

He will continue to be reminded of that every time one of his own children is born, and his grandchildren as well.

And he will often volunteer to rock them.

Waiting for Fedex

So, the folks at The Literal Challenge are doing a short story challenge in the month of June. As if 28 plays in 28 days wasn’t hard enough, we’re now being asked to write 30 stories in 30 days. Today, we were asked to submit “something” to test their fancy new submission engine – no more manually emailing Sebastian the moment we’ve typed “CURTAIN.”  So I wrote a thing. It’s small. It’s silly. But I haven’t posted here since February so I thought I should also  do a test to make sure everything still functioned. Oh, and, stay tuned, because my stories will be posted here. 

Waiting for FedEx

Waiting for FedEx is like waiting for Godot, except the writing isn’t as good and everyone is carrying boxes that represent their personal issues… childhood trauma, relationship woes, body images – whatever.

The FedEx guy has been elevated to mythological proportions. He’s a superhero now. He doesn’t just sport a purple shirt, he’s got shiny tight pants and a cape, and he comes to take away the boxes of horrible, ugly, truths.

And if you’re lucky.

Supremely lucky.

He brings you something pretty and shiny in exchange. True love. A new attitude. Awesome abs.

Or, maybe it’s just this week’s HomeChef delivery.

Better than nothing.

We’re having salmon and asparagus tonight, honey.

Etudes

Copyright: kentoh / 123RF Stock Photo

The Brief

No… we started our journey on a ship at sea, so lets end it with some “Land Ahoy!” Write about the destination… the port, the land, the horizon, the future…

The Excerpt

ZOE

(sighing)

So much has changed, Basil. When we met, you were primarily a scientist, an explorer… then the war happened, and I was the wife of a solider, a battle commander, and finally we built peace again, and now…

BASIL

(picking up her thought)

…and now, retirement. Do you recall, Zoe, when I referred to the different changes and evolutions in our relationship as ‘etudes’ for us to master?

ZOE

I do. It was an apt metaphor.

 

To Read the Entire Play

Click Here: 1902.28 – Etudes 1902.28 – Etudes

True Love Cafe

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The Brief

How frustrating is it when you have to deliver something to a deadline, only to realise afterwards what you could have done better.
So this is your opportunity to re-do a challenge. Pick any of the previous 26 challenges we've done, and write a NEW play following that brief.
I bet you've thought of a few better ideas since sending in your first version.
But don't just re-do the play you did - it has to be a completely different concept!

Notes

I chose the “TLC” Brief. You can read the details and my original submission here.

 

The Excerpt

SPRITE

Yes! Yes, exactly. Like, for me, my tree, it might be a willow… or maybe an aspen. But for you, it might be a salt pine or maybe even a beech tree.

DEREK

Can it be a copper beech, like in that Sherlock Holmes story?

SPRITE

Copper? I don’t know. Maybe. The thing is… you have to find your tree. And I have to find mine. And until you do, a relationship between us can’t work.

DEREK

Wait… you’re breaking up with me because you have to go find your tree?

SPRITE

Yeah… I have to find my tree. And you have to find yours.

 

To Read the Entire Play

Click here: 1902.26 – True Love Cafe

Water to the Sea

wind power farm on the coastal mud flat in sunrise

 

The Brief

Find an expression, an idiom, a cliche, etc…and use it as a literal impetus for the play.
Perhaps write a play about an apple standing at the gate and fighting a doctor?
Perhaps a monologue by one patch of grass, envyingly looking at another’s greenness?
Perhaps a tree trying desperately to tell a dog barking at it – that he is not the tree he’s looking for?
Two peas discussing the meaning of life… in their pod?
A shop in which customers have to pay with their arms and legs?
The life of a silver lining, having to be attached to a cloud they despise?
An it, who can only tango after taking two paracetamols?
I can go on all day!

 

The Excerpt

CLAUDE

(inhales his cigarette and then blowing a perfect series of smoke rings a la the Caterpillar in Alice in Wonderland)

It all seems so pointless, do you see? Like carrying buckets of water to the sea. One drop and then another, one wave and then a dozen more, and on, and on, and nothing changes, nothing grows.

CLAUDE

(blows another series of smoke rings)

I look in the mirror and I see myself reflected back, and if I look more closely, look into my own eyes, I see my own reflected reflection. I search for purpose and find only algae and plankton, as if I live only to keep my section of the ocean free of tiny things.

 

To Read the Entire Play

Click Here: 1902.25.Water to the Sea

Truth in Finance and Fandom

Brandy glass, diary and pocket watch on the table near the burning fireplace

 

The Brief

Take a pen and a notepad (does anybody still remember what those are?) and as you go about your day, just make some notes. Observe things. Open your ears, your eyes, your nose and really look at them (yes. Look through your eyes and nose).

It might be people, it might be nature, it might be the elements, it might be something more spiritual or whatever. Particularly a whatever!
If you pass by a stranger saying something – write it down.
If you pass by a bin falling in the wind – write it down.
If you pass by a dog peeing on a tree – write it down.
If you pass by a whatever whatevering – write it down.

Once you have enough info written down – see if you can make a fun play out of them… I mean… don’t see if you can – just do!

 

The Excerpt:

SCI-FI ACTOR

Hi, welcome. Thanks for coming today. I’m really sorry you had to see that.

WOMAN

I follow you on Twitter, too. Watching you engage live is better than tennis.

SCI-FI ACTOR

Depends on the match.

WOMAN

Serena Williams. John McEnroe. That caliber.

SCI-FI ACTOR

Oh, well, then. Am I signing something for you?

WOMAN

(passes him a photo)

This, please.

SCI-FI ACTOR

Oh, I loved doing this film. Wow… this is a rare still. (beat) Do I talk to you on Twitter?

WOMAN

No.

MAN

She says you only engage with people who disagree with you.

WOMAN

Honey!

MAN

You did say it.

 

To Read the Entire Play

Click Here: 1902.24 – Truth in Finance and Fandom

Objects in Mirror

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The Brief

So it’s time for an autobiography! Time to tell our stories. Perhaps you believe you have a funny one… or perhaps yours is tragic… or perhaps it’s boring… or perhaps… as my pre-brief suggested … it’s simply pointless!
Either way – put it in a play (I think that can be the next 28 Plays Later slogan)

Our lives… as eventful or boring as the may be… have been going on for a long time. I think this challenge calls for a saga.
I expect many, many scenes… I expect many, many characters – some leads… some walk-ons.

 

The Excerpt

WRITER runs a hand through her hair messing up her already frazzled messy bun.

WRITER

But the thing is, Madeleine L’Engle was right when she said that the Judao-Christian God was literally MADE of Story, then if humans are made in God’s image, we’re made of Story too, so if you want to know me, the best way to know who I am, is through the stories I tell.

WRITER turns to leave, then pauses on the edge of the spotlight’s circle of illumination and steps back into the light.

WRITER

Bribing me with dark chocolate and frou-frou coffee have also been known to work.

 

To Read the Entire Play

Click Here: 1902.23 – Objects in Mirror

Between the Wire and the Wood

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The Brief

Every writer has started working on something and then gave up halfway through. We all have somewhere an incomplete idea or play.
Your challenge for today, should you choose to accept it, is to find one of those ideas and complete them!

If you manage to do that – you will become a god!
It will be like raising the dead!

 

The Excerpt

LOVER

(rolling over and sitting up, but keeping the sheets wrapped around her)

Do I smell coffee?

BELOVED

You do… Slide over…

LOVER

Ohhh… I do love you.

BELOVED

You say that to all the men who bring you coffee in bed.

LOVER

No… only to the ones who remember I like cream.

BELOVED

Ah, well, then I’m in luck.

 

To Read the Entire Play

Click Here: 1902.22-Between the Wire and the Wood

Quandary

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The Brief

So maybe it’s time to be a bit controversial (we haven’t had any controversial challenge this year, have we?!)… so for this year’s controv top let’s look at Cultural Appropriation!

A heated and very current topic, but it does raise a few interesting questions – for example, at what point does inspiration become appropriation? And shouldn’t we as artists we be excited to learn about other cultures and from this melt pot that is our brain to create something new, or are we treading on dangerous waters by even subconsciously immersing ourselves in other cultures.

You may have heard about the controversial speech that Lionel Shriver made about cultural appropriation, asking whether writers shouldn’t be allowed to write from other perspectives that are not theirs culturally. And without ruffling any feathers (remember, I’m only asking questions, not giving any answers) where is the boundary? Should a white man be allowed to write from a black woman’s perspective? Should a gay woman be allowed to write from a trans’ perspective? Should a German writer be allowed to write from a Polish perspective? Or should we only write from our own limited experiences in life?

Perhaps the solution to this quandary is something completely different. Is writing truthfully and honestly becoming too crippling now? Maybe the way out of this minefield is by going away from the limited mind, the limited human experience, and taking art into new realms? (but that might be a brief of its own)
I don’t know… over to you!

 

The Excerpt

ZOE

I guess it’s my turn to ‘not understand.’

BASIL

The Terran philosopher Alan Watts once said “Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.” By ‘trying on’ aspects of another culture, so long at it is done respectfully – by ‘stepping into another’s skin’ as you do when you inhabit the characters you play, you are granting yourself a new perspective not just on the culture you are attempting to represent, but on your own culture as well.

ZOE

I… guess. But… that doesn’t necessarily make it okay.

BASIL

Have you asked Mac why he wants you to play the part?

 

To Read the Entire Play

Click here: 1902.21-Quandary

Blood Moon and Endless Summer

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The Brief

Today you will have a choice between BBC Radio 5 Live and BBC Radio 6 Music

BBC Radio 5 Live – “Live news and live sport”. With regular news updates every half hour, this is where any breaking news will first be broadcast. It also dedicates 35% of its scheduling to sport, either as live coverage or for discussion-led show.

 

BBC Radio 6 Music – The station describes itself as, “the cutting edge music of today, the iconic and groundbreaking music of the past 40 years and unlimited access to the BBC’s wonderful music archive”. It is also the only station giving DJs full control over what they are playing. Commerciality doesn’t come into it, and the DJs are highly regarded by their listeners as experts, as are the listeners by the DJs.

 

For bonus points – Sports and alternative culture – now there’s a combination of a play I’d love to see!

 

The Excerpt

Yeah, me too. Or with my dad, when we’d go fishing on weekends.

SHELLY

I miss fishing trips. We should go sometime.

RADIO ANNOUNCER (V/O)

… and we’re deep into game five of the 2018 world series, and it’s the bottom of the fifteenth, and something… something weird is happening to the crowd… they’ve stopped screaming “batter, batter,” and are moaning for… brains…

SHELLY

(confused)

Did he say what I think he said?

DAVE

Brains?

SHELLY

Yeah.

 

To Read the Entire Play

Click here 1902.20 – Blood Moon and Endless Summer