Civil Twilight

micael-widell-520887-unsplashCivil twilight. To most people it’s that period between sunset and full dark, but to the people of Raven Beach it was something else. It was an agreement between the Day-Walkers – mostly human – and the People of the Night – mostly inhuman, or formerly human, or humanish.

Their community was an experiment in peaceful coexistence. It helped that their town was situated in a northern latitude, where that in-between time was longer than it was elsewhere. It helped that they were a coastal village, rather than a big city. Everyone knew each other. That mattered.

The experiment had begun a decade before, after a hellish month.

First, a vampire child on his way home from school in the morning had been accosted by human kids waiting for their bus. He’d lived – barely – but it had taken weeks to recover from the sunburn, and the family had nearly gone broke trying to keep him fed with virgin blood.

In retaliation a vampire gang had captured a human girl, the sister of one of the boys involved in the earlier attack, and drunk her nearly dry before dumping her outside the local hospital. They’d warned the family of their plan to turn her but hadn’t in the end. Still, it was a clear message.

Over the next weeks the attacks had escalated. Old Mr. Pritchard on third street had chased a pair of werewolf cubs off his lawn with a silver-tipped pitchfork after they’d… watered it… in a particularly canine way, and their parents had caught Mrs. Pritchard coming home from her bible study class a few evenings later and ‘accidentally’ scratched her. It wasn’t deep enough to cause a full change, but she’d suddenly had to battle extreme facial hair when the full moon came. Not to mention the way she craved raw beef.

And so, it continued. The zombies were chased away from the morgue with blinding floodlights, and even though it had been quietly accepted that it was their job to dispose of the bodies of unidentified homeless people when the waiting period had ended, and the demon who ran the library was chased home one evening by a mob wielding water-pistols filled with holy water.

Something had to change.

Many suggestions were made: the bloodsuckers and shifters should just turn everyone. The zombies should move to a new town. The humans should burn all the other-human creatures out of house and home.

But, despite their great differences, the people of Raven Beach felt tied to their community, and to some of the unique aspects of it. Granny Liebowitz, for example, was a hedge witch who made the best cherry pies, but she wasn’t above tossing together a batch of blood sausage for the vampire kids who came to help clean up her yard after every storm.

And Sal D’Angelo who ran the pizzeria didn’t just make the best meatball sub on the North Atlantic coast, but he also did a steak tartare pizza for his customers who preferred their meat uncooked. He hadn’t managed to create a marinara sauce without garlic, but he did a pumpkin and oxblood ravioli that the vamps considered a guilty pleasure.

And speaking of the vamps, Vlad and Katya owned the music store in town, and not only did they offer free studio time to every local band trying to cut their first CD, they had a rental library of vintage vinyl that went back forever.

No one in Raven Beach wanted to lose that, but at the same time, no one wanted to live in fear of being bitten, bled, burnt, or staked, either.

A town meeting was called. The council suggested that they all step down en masse to be replaced with a new council, with representation for all the major groups in town. The people agreed and held a vote that night, with the new council including four humans, two vampires, a werewolf, and a demon. (The zombies didn’t put up a candidate. They felt they didn’t have the necessary communication skills.) The ninth member of the council was a Native American shaman the last descendant of the original tribe which had occupied the area. Everyone felt she would be impartial.

That was step one.

Step two was an agreement that the morgue would better serve the zombies, that the blood bank would host monthly blood drives to help the vampire community stay healthy and robust, and that the werewolves could let their cubs run free in the dog park on odd numbered days.

And step three… step three was the Civil Twilight Concordance.

It was agreed that the time between first light and full dawn, and first sunset and full dark, was a no-kill time. Children could safely travel to and from school. Adults could move freely from home to work or vice versa. Most of the year, those hours even allowed for brief errands.

And the rest of the time?

The vampires might, from time to time, stalk humans on their way home from the movies, or the werewolves could be caught threatening the teenagers at Lovers’ Dune. But there was an unwritten agreement that townies, no matter their breed or species, were untouchable.

Human, inhuman, formerly human, and human-ish live side by side in Raven Beach. And during civil twilight, they walk together.

Jasper

Teddy as Jasper

Every night at nine, The Thing arrives in the back hallway, and Jasper goes to drive it away. He barks and growls and bares his teeth at it, never letting it get into the main house.

He doesn’t try to get his people to come see why he’s barking. He knows humans don’t believe in such Things, and wouldn’t even if they could see them. Which they can’t.

But Jasper can, and he knows it’s his job to protect his people, to keep the house safe from beings like The Thing that are even more evil than postal workers and UPS deliverers.

Still, it would be nice if, once in a while, one of his people would recognize his vigilance and tell him he was a good boy for protecting the house or thank him from driving The Thing away every night.

Just one pat on the head, or maybe an extra dog biscuit would make all the difference.

Instead, Jasper has to hear them tell him to Stop Barking, and Be Quiet, and Go Lay Down, when his job has been done again and he returns to the living room to let them know.

And then it happens.

Sort of.

On the very night that he manages to make The Thing become dead – even deader than his stuffy squirrel after he removed the evil squeaker – Jasper’s people join him in the hall.

“Sweetie,” the female person says (he’s not supposed to have favorites, but he likes her just a little bit more than the male person. She was the one who’d picked him up when he was living in the Loud Place and held him against her chest and let him gum her neck until he was asleep.) “Jasper’s barking sounds different tonight. We should check on him.”

“He’s barking at nothing, like always,” the male answers.

“Humor me.”

And his people join Jasper in the back hall, where he has the remnants of The Thing in his mouth.”

“Wow! Looks like Jasper caught a rat!” the male human observed.

(It isn’t a rat, but humans can’t see the truth of Things.)

“Oh, ugh, take it away. That can’t be good for him,” the female urged “Wait… is it dead? Don’t touch it until it’s dead.”

“Oh, it’s dead.”

Jasper stands with The Thing in his mouth, wagging his tail.

The male human trades him a chewy for it, and the female one kneels on the ground and puts her arms around his neck. “No kisses until I forget what you had in your mouth, Jas. You’re a good boy. You protected the house.”

Jasper leans into her side. She is warm and comforting, and he is glad she feels safe with him. She doesn’t need to know what The Thing really is. He knows that human people see what they think they should.

And anyway, it doesn’t matter.

Because Jasper is a Good Boy.

And his humans know it.

Musings of a Solitary Ghost

Ghost in the WallCold.

She’s constantly cold now. And damp. She can’t even remember what warmth feels like, but she also can’t get to the place where she’s numb enough to fall asleep and linger there.

She doesn’t remember sleep, either.

She exists in a state half-way between dreams and waking, in a kind of perpetual twilight punctuated only by the periodic beams from the beacon at the top of the lighthouse.

She thinks there used to be a man who lived there, and took care of it, but she’s heard people talking, strange people that come into her house but never greet her, and they say it’s been automated for at least a decade.

Time has become meaningless.

There is no day, no night, no hunger or thirst.

Just cold and damp and dimness.

She can walk through walls now. She’s pretty sure that’s a newly acquired skill. She can walk through walls and float through floors, but she can also walk across the broad wooden planks that have been under her feet for as long as she can remember.

She misses her family.

She is surrounded by families that are not hers.

They move into her house and make changes. The old kitchen with its red hand-pump at the sink now has a shiny metal faucet with a single lever pointing one way for hot and the other for cold, and the streams come out mixed together.

The big bathroom where she used to soak in the claw-foot tub and stare at the lighthouse through the round window has a stall shower now, in one corner, and instead of coal, the house is heated with hot air forced through vents.

Or so she overhears.

But she can’t feel the heat, or stand in the shower, or work the taps. Her hands can’t grip, can’t touch.

So, the families come, and they talk about their lives and she drinks it all in. She watches as they change the paint and repaper the walls and load in new furniture.

But they never stay.

The lighthouse beacon is too bothersome, they say, and there are odd draughts in the house, and sometimes they see movements in the mirrors.

The families leave, and she remains.

She’s fairly certain she’s supposed to be somewhere else, and that there’s something she’s supposed to accomplish before she can go there, but she doesn’t know what or where or when.

And so, she walks… paces, really. She walks through the house and sees the old colors and furniture overlaying the new, and when the lighthouse spins to cast its beacon she thinks she might dance in the light.

Or maybe… just maybe… she’ll climb aboard and see where it takes her.

 

The Boys of Endless Summer

zombieslugger

If you follow sports, you know there are “dream teams,” combinations of players who seem unbeatable. In basketball, the first such group to earn the title was the 1992 United States Olympic Team. In hockey, people again point to an Olympic team – the 1980 hockey players. In baseball, people generally point to the 1995 team in Puerto Rico.

But what if there was a team – two teams – that got stuck in the dream, forever.

Sure, Game Three of the 2018 World Series went to 18 innings before the Dodgers finally won, but what if it hadn’t? What if there’s a dimension where the game continued, inning after inning, after inning, to the end of time?

Imagine it… scoreless inning after scoreless inning, twenty, thirty, fifty, a thousand… more.

The pitchers don’t just exhaust their arms, they literally keep lobbing balls until their muscles are bleeding, until their shoulders disintegrate.

And the batters… at some point they turn on each other.

And that’s when the spectators realize: they’re part of the endless ballgame, too. They’re stuck in the same time-stop with the players and the managers and the coaches and the umpires. Realization becomes horror when they recognize one other’s pale faces, bloodshot eyes, more prominent teeth (are those bicuspids elongating, or are their lips receding from dehydration?)

Accepted lore says that zombies are created by other zombies, but if you put enough people in an inescapable location, for long enough time, creation is replaced by critical mass which leads to manifestation.

When the concession stands run out of food, the fans begin to kill and eat each other.

Sam the Sox fan rips off John the Dodgers fan’s head and tosses it over the fence, where it lands on the pitcher’s mound. It seems such a little thing to substitute it for the ball? The eye-sockets make good grips – like the holes in bowling balls. The blood is as effective – and as illegal – as the Vaseline used in old-school spitters (long-since banned).

And maybe, just maybe, the batter will balk  and the game will end.

It’s a curse, of course, the change into zombies, the bloodlust, the days, weeks, months, years, decades, and more of scoreless games.

Somehow, the teams never dwindle too far to call it.

By some sick miracle the crowd never noticeably thins.

But this is no field of dreams; it’s a field of nightmares where the scariest words anyone can hear are, “Play ball!”

His Lips

0105 - His LipsShe runs into him  – quite literally – outside the coffee shop across the street from old campus, the one where they make the mochas with proper bitter chocolate and understand that whipped cream shouldn’t be sweetened.

“Excuse me,” she says, “I’m so sorry, I was looking at my phone and…” Said phone has fallen to the ground and she crouches to retrieve it rather than bend. When she looks up it’s his mouth that catches her attention. His mouth. His lips. Pressed together. Plush in a way that men’s lips typically aren’t.  Kissable.

In that moment, the stranger in his vintage clothes and the hat that obscures his eyes has become the object of her desire.

He doesn’t speak, but extends a hand to assist her as she releases her squat and stands straight. “Thank you,” she says. “Again, I’m sorry.”

He touches his hand to the brim of his hat and disappears into the shadowed twilight of the university district.

A week passes by, then two.

Halloween is over. Thanksgiving is coming fast.

There’s an annual party at the university, and as a professor, she is required to attend. It’s hosted by the English department this year, and the folklorists have chosen the theme: firelight. They’ve got fires in the giant fireplaces at either end of the hall and set the tables with lanterns of living flame.

The portraits of past presidents, past tenured professors, high up on the walls, look down in judgement and envy. Possibly more of the latter.

She half-expects to see him there, immortalized in oil paint.

Instead she spies him over by the hot hors d’oeuvres. He’s serving himself some of the stuffed mushroom caps.

Across the room, she finds herself once again entranced by his lips.

She goes to him, observes that the chafing dish that once held mushrooms is now empty. He must be watching her, too, because a cool hand touches her shoulder and he is offering a second fork, gesturing for her to share his plate.

“You’re very kind,” she says.

He gives the slightest of shrugs and leads her to a quiet alcove.

They spend the evening watching the rest of the party. They leave together; he escorts her to her apartment.

“Do you want to come in?” she asks.

He touches his hat again, and the muscles in his cheeks contract slightly, drawing his lips – god! Those lips! – into a subtle smile.

They share a pot of tea, and then a bottle of wine.

She does all the talking, but somehow, he conveys his opinions on her observations. Yes, Ayn Rand is overrated. No, modern students don’t read enough romantic poetry.

As dawn light turns the window shades pink, they each move to the center of her sofa. He takes her hands in his. She leans close, under his hat-brim with him, and touches her lips to his.

In the space of a kiss, she understands… the hat hides his demon eyes from human gawking, and also protects them from bright light. And his lips hide teeth meant for cutting and chewing human flesh.

His voice… when she hears it… is mesmerizing. Julian Sands married to Alan Rickman mesmerizing. He tells his story in a few succinct sentences. His father was a demon, his mother his human mate. When she learned what he was, his mother made his father promise that he could live a human life. He chose to dwell among books.

* * *

“Why don’t you speak?” She asks, much later in the morning, when she’s resting against his smooth chest.

“My voice is where my power lies,” he explains. “If I’d wooed you with words, you would be in thrall, and I didn’t want that, don’t want that.”

“Is that what happened to your mother?”

“Yes. But becoming pregnant broke the thrall, and now she remains with my father out of choice.”

“It wasn’t coincidence, was it? Me running into you?”

“No.” His answers are brief, but she hears the more in them.

“How long can this last?” She means the connection they’ve forged.

He answers by kissing her.

“You’re wrong you know,” she tells him, several days later, as they’re walking to the coffee shop as the season’s first snow falls around them. “It’s not your voice that draws people in. At least, it wasn’t with me.”

“What was it then? The hat? The clothes?”

“No,” she says. “Guess?”

In the privacy of a darkened doorway, he smiles at her with a closed mouth covering his deadly teeth, and she stretches a gloved finger up to caress his lips.

Coda?

0175 - PianoInstruments are meant to be played. They’re not to be left alone, untuned, unused , unloved.

 

They have souls, you know. Not fully-formed ones such as ours, mind you. Rudimentary souls. Proto-souls, you might call them.

 

Or maybe they’re not souls at all. Doesn’t matter. The name you give them isn’t important. That you recognize that there’s a spark of something – a spark of some THING – suspended in the wire and the wood, or curled up inside the brass of the bell, or hiding tucked up against the reed – that’s what matters.

 

And those things. Those THINGS… when they’re ignored long enough they go crazy trying to make music without a human hand, a human heart, to guide them.

 

You know how when you walk by a cello on a stand, sometimes you hear a hint of resonance? Or you think you hear a piano note late at night?

 

Those are them. The sparks trying to become flame.

 

We talk about great musicians being connected to their instruments, playing as if the violin or saxophone an extension of their body? That’s because the spark has found ignition.

 

A raw, new, unplayed instrument will fade into dust.

 

But one that’s felt the loving touch of elegant hands on its keys, the special balanced weight of sticks being held to drum, the soft slide of a virtuoso playing a glissando – those instruments quite literally go mad.

 

They cry out loneliness in crazy concertos that fold in upon one another like cobwebs. They fill empty rooms with the dissonant sounds of their grief.

 

“I’m sorry, ma’am, what were you saying about the music room?” Sarah had been lost in thought, seeing the poor old piano.

 

“Piano comes with the house” the woman in the gold blazer repeated. “Previous owner was a classical star until arthritis killed his career.”

 

Sarah made some polite response as she and Gold Blazer Woman moved to the next room in the walkthrough. But she cast a final glance at the deteriorated instrument and the collection of empty chairs.

 

“Don’t worry.” She willed the ancient Steinway to hear her thoughts. “I’ll save you.”

Basic Cookery

0412 - DemonFnarglyl sprawled on the dining room floor leafing through his granddam’s cookery books. He had no plans to actually make anything. He just enjoyed reading the recipes and trying to imagine what the various exotic dishes might taste like. Far too many of them seemed to involve vegetation like crabgrass and dandelion greens. Granddam always said that greens were good for his digestion, but he was pretty sure she made him eat them because her granddam had made her eat them, too.

He tossed aside a book that was dedicated to plant-based foods: Ivies for Immortality. Being immortal sounded cool, until you realized that it meant leaving your friends and your family all alone and getting old and broken but never actually dying. Pheh. They could keep their immortality, especially if it meant a diet based on ivy.

Although… the poison kind did have a nice bite to it.

He skipped over three books about stewing roadkill – not interesting enough, and then he found a book that was different than the rest. Instead of having a brightly colored cover with pictures of sumptuous food, this one was black, and leather, and smelled faintly dangerous.

And it didn’t have a title.

After glancing around to make sure Granddam wasn’t paying too close attention, Fnarglyl opened the book, and began paging through it. Some of the pages had recipes, but they didn’t seem to be for food, and they involved drawing symbols on the floor in chalk… or blood.

Just as he was reading a chapter called “Humans: How to Summon and Care for The Pink People,” his grandmother interrupted him. “Glylly, sweetie, it’s time for your bath, and then into bed.”

“Aww, Gran, can’t I have just a few more minutes?” he asked.

“Not tonight, Glylly. You know I have my garden club tomorrow morning, and I have to be up early.”

Fnarglyl reshelved the cookbooks, but the black one, he tucked under a wing. Granddam usually left him alone for the two or three hours she was with her gardening friends. Most of the ingredients for summoning a human were in the house, and she’d never notice if he drew a chalk circle down in the basement… at least, he didn’t think she would.

“Glylly… don’t dawdle.”

“Sorry, Gran,” he said, and got up. He kissed her cheek and caressed her hand with his tail and slid past her toward the bathroom. He was almost sure she’d looked at him funny, but she hadn’t said anything.

Tomorrow, he thought, I’m going to meet a human for the first time!

He hoped they didn’t bite.

 

 

Fur

Fur

Every dog owner can tell you that dog hair seems to have a life of its own.

Breed, color, age, coat-length and type, there’s always one commonality: the fur gets everywhere. In some cases, it even seems as though there’s more of the stuff on the floors and furniture than can be found on the actual dog. Even on the no-shed varieties of canines.

The stuff congregates in corners and bunches under beds. During certain seasons, you can brush enough of it off your canine companion to form his or her doppelganger out of the discarded fibers.

Own a dog long enough, or have enough dogs trotting through your home with drooling jowls and wagging tails, and you begin to wonder if maybe you’ve got it wrong. Maybe the dogs are really naked, and their coats – so lovely to touch, so accursedly painful when you get a dog-hair splinter in your foot on the way to the bathroom in the middle of the night – aren’t just an adaptation to protect their soft parts and keep them warm.

“What if,” you muse aloud while your husband is forwarding through yet another commercial during the latest episode of The Flash, “dog hair doesn’t grow on the dog? What if it’s really a symbiotic life form, bent on taking over the planet?”

“Are you writing another story?” he asks. “Because that’s an interesting premise.”

“No, I’m completely serious,” you say. “I mean, consider: it ends up everywhere, it seems to multiply like crazy, and we don’t perceive it as a threat unless we’re allergic to the dander. And what about those allergies. Maybe they’re not just allergies! Maybe it’s a toxin released by this alien life form! Maybe these creatures are the reason dogs have comparatively short lifespans!”

“Or maybe you’re just annoyed because I haven’t swept the floor in three days,” your husband says, not without affection. “Can we finish this episode now?”

“Go for it.”

Your chihuahua jumps up onto the couch, and a single piece of his fur separates from the rest and spirals into your tea, but you don’t realize it until you take a sip and begin to choke.

At the funeral, everyone says you look amazing, and so natural, and how appropriate that even in death there’s dog hair clinging to your blouse.

Tea and Oranges

Photo by Mike Petrucci on Unsplash

It’s raining again – the storm woke her –  and she wants a cup of tea. Needs it, really. Most days are coffee days, but tea is better during thunderstorms. Especially at night.

Tea and oranges, actually. The perfect combination. One hot, the other cold. One dark and astringent, the other bright and quenching.

She remembers a time when she was a child, waking to the sounds of thunder and the flashes of lightning creating shadows and afterimages in her room. She remembers screaming in fear, and her grandfather coming to calm her because her mother was on a business trip and her grandmother always took sleeping pills on stormy nights.

Grandpop helped her into her fluffy pink bathrobe and let her brace against his strong shoulder while she slid her feet into her lion-head slippers. She remembers the way his huge hand was all calloused and rough against her smaller when they walked so, so quietly down the stairs.

The power was out, but he’d had his big green flashlight with the handle on top and the button her fingers were never quite strong enough to press, and it made a wide swath of light so she didn’t have to be afraid that something would grab her ankles through the open stairs, or that someone was lurking behind the louvered doors that separated the dining room from the kitchen.

“Sit here, honey,” Grandpop said, and she did, scooting into the chair right next to his, with her back to the window so she couldn’t see the tree branches turning into monsters with every burst of lightning.

The stove was gas, and she could hear her grandfather fill the kettle and light the burner with a match and come back to the table with six or seven of Grandmom’s saint candles – tall frosted white jars with different saints painted on.

The candlelight had made her feel safer. It was only a few minutes, but her grandfather returned once more with two mugs of tea. “These have to steep,” he said. He disappeared into the kitchen once more and came back with a paper plate and a bowl of oranges. The kind with a belly-button, except you didn’t call it that.

They had sat there sipping sugary tea and eating oranges until the storm blew itself out. Then he took her hand once more and led her back up the scary stairs (there really weren’t hands reaching through; it was only her imagination) and tucked her into bed. “The power will be back in the morning,” he promised, and left her the candle with St. Mary on it to guard her sleep.

But that had been when she was little, and now she is awake in the middle of the night, while her husband and dog snore in chorus, neither even aware of the light show beyond the windows. Awake, and craving tea and oranges.

She didn’t wear bathrobes anymore, but she pulls on a pair of fluffy socks and buttons on her husband’s flannel pajama top, and creeps out of their bedroom and across the living room to the kitchen.

The power is flickering, so she turns on the electric kettle then lights the candelabra on the dining room table. Oranges are always in the fruit bowl on the counter, well, those kid-friendly halo things, anyway, so she piles a few in a blue ceramic bowl and places it on the table with a paper plate.

When the kettle clicks off, she fills an infuser with loose black tea and arranges it in her favorite mug, then pours the steaming water over it.

The power flickers again and goes out to stay.

She carries her mug, a spoon, and the squeeze-bottle of honey over to the table.

“That’ll have to steep.” A familiar voice observes, and when she looks up from her mug, the infuser removed, the honey stirred in, she is startled. “Grandpop?” she breathes, because he’s sitting directly across from her, and, okay, he’s a bit see-through, but he looks good for a ghost.

“Felt the storm begin. Knew you’d be awake. Couldn’t resist the chance to see you… and try these new-fangled easy-peel things.” And he picks up one of the oranges and peels it, sending the tangy-sweet scent wafting across the table to tickle her nose. “How are you sweetheart?”

She brings her mug to her lips for a sip, formulating her response. “I’m good,” she says. “My book has gotten a really good response, my husband just got a promotion, Mom and Dad are loving their retirement. I miss you and Grandmom, of course, but there are times it feels like you’re still here, watching over me.” She laughs. “I was making tomato sauce the other day, and I swear I heard Grandmom’s voice telling me to add more garlic.”

“Sometimes we’re here,” her grandfather tells her. “But not in the way you think. We come close when you need us, add a bit of our essence to your own, but we mostly exist as memories. Strong ones when you need support, lighter ones when you’re just feeling nostalgic.”

“And tonight?”

“Well, tea and oranges, sweetheart, that’s how we survive the storms, isn’t it? I couldn’t let you sit through this one alone.”

“Is it going to be bad?”

“The storm? Not so much. But… you have a bit of a personal storm coming and I wanted to make sure you knew: your husband loves you, and we love you, and it isn’t your fault – it just happens – and you’ll get through it.”

She lets that information sit still inside herself for a while, and instead of pressing for details, asks him, “I don’t suppose you could tell me what it’s like for you?” As if it’s perfectly normal to ask a ghost for a description of the afterlife.

“Actually, I can’t,” he says. “Non-disclosure agreement. But… you don’t need to worry. Everything’s fine. Eat your orange, it’s dripping.”

She looks down, to see that she’s squeezed the section of fruit a little too hard, and juice is running down her palm and wrist. She eats the wedge and licks the juice away, and when she drops her hand, her grandfather has disappeared.

* * *

The miscarriage happens in the middle of another storm, this time in the middle of their morning routine. Her husband calls out of work and takes her to the emergency room, but there’s no fetal pole, and even though she hadn’t even known that she was pregnant, she’s sad about the loss.

Home again, she bundles herself into her husband’s pajamas and crawls into bed.

“Can I get you anything?” her husband asks, and she can tell it’s as much because he’s sad, too as it is because he needs to make her better, at least a little.

She glances out the window, and watches the rain fall for a long moment. Then she turns back to him. “Could you make me some black tea with honey, and bring me some oranges?”

“Tea and oranges?” he asks. “That’s it?”

“If you want… you could share them with me.”

And they spend the rest of the day in bed, with the dog at their feet and the pouring rain outside, drinking tea and eating oranges.

Monster See, Monster Do

0323 - Stolen Toy Monster“Becky, that’s mine! You can’t take it!” Harry yelled after his sister as she goose-stepped across the house toward the kitchen, her black patent-leather shoes tap-tap-tapping across the wooden floor. “Mom! Becky stole my Human Hammer action figure.”

Their mother didn’t answer, but Becky yelled back. “It’s not your toy, Harry; you stole it from an assigned Child, and you know you’re not supposed to take their stuff. You’re only allowed to move it to an Odd Location where they will find it weeks later and be Very Confused about how it got there.”

“I didn’t steal it! It was in the trash. See how the arm is hanging loose?”

“Stealing from the Humans’ trash is still stealing. Though trash is certainly where this thing belongs. Pink skin? Only two eyes? It’s disgusting. And it probably uses that hammer to murder innocent Monsters!”

Harry came out of his room to confront his sister. “So, what if it does? It’s just a toy, Becky. You had a Firefighter Fred doll two years ago, and I remember you used to let him pretend-kiss your Slithery Sallie doll. Monsters and Humans killing each other is way less weird than Monsters and Humans kissing.”

“That’s not the point, Harold,” Becky said, invoking her brother’s first name.  “Firefighters are heroes to monsters and humans. They don’t hunt and kill monsters. Besides. I’m older now and I know better.”

The children continued their argument, unaware that their mother was watching from behind her half-open bedroom door. When the verbal shots escalated to tentacle pulling and slime spitting, the older woman sighed, and slid out of the cool darkness to confront her offspring.

“Rebecca Jane and Harold Maurice be silent.”  She didn’t raise her voice. A firm tone and the invocation of middle names was enough.

“Sorry Mom,” Harry said.

“Mother, did we wake you?” Becky asked.

Their mother didn’t address either statement directly. Instead, she said, “I’m going to say this once, and I expect you to remember. Playing with human toys is a phase we all go through. Becky, if I remember correctly, your Firefighter Doll was left behind when your Child’s family moved.”

“Well, yes.”

“And Harry, dear, you know you’re not supposed to scavenge from the Humans’ trash bins.”

“I know.”

“You are almost eight hundred and two, Harry. I know their toys are tempting, but if they catch us playing with them, we cease to be scary.”

“Okay…”

“Becky, give him the doll.”

Becky held the thing pinched between two fingers, as if it smelled like roses, or something equally disgusting. “Fine. Take it.”

Harry snatched back his prize, and looked toward their mother intending to thank her but the older Monster wasn’t done.

“Harry, you may continue to play with the… Human Hammer… for one more week, and then you must return it to your Child’s house.”

“But they threw it away!”

“I know. But our job is to Scare Children. A toy returning from the trash after a week – ”

” – twelve days – ”

“Don’t interrupt me, Harry. A toy returning from the trash will be Very Scary. You might even get a Putrid Pentacle for the act.”

“A Putrid Pentacle? Really?”

“Really,” their mother said. “Becky was nine hundred before she got her first one.”

“Cool!”

“Mom!”

Both children responded at once.

“I’m going back to bed for a while. All this sunny weather is making my head hurt. I expect you to honor our agreement, Harold… and Rebecca…”

“Yes, mother?”

“Mary-Janes are a Human affectation. Do we need to have our talk about proper attire again?”

Becky rolled her many eyes at her mother and said nothing.

“I didn’t think so.”

And the older Monster glided back to her room and closed the door, praying her children never learned of her addiction to Ghost Hunters.