It was common knowledge that Jessie was one of the Special ones. Billy was four years younger than she was, but he’d known her all his life, so he knew stuff.

Like, he knew that no one ever catalogued the ways in which the wispy little girl with the rats’ nest of dishwater-blonde hair was Different; but whenever something strange happened, she was likely to be at its center.

Not that her oddity, her Otherness, was bad, mind you.

But there were little things.

Like, when you played Tea Party at her house, the tea in her doll’s cup would disappear a little at a time, even though you never saw her lift it to steal a sip.

And when you were playing Freeze Tag there were moments when you’d swear she’d frozen with her feet above the ground instead of on it.

And any time a dog or cat went missing, you were stupid if you didn’t ask Jessie to help you find it. You didn’t have to look into the luminous gray eyes that seemed so huge in her pale, pointy-chinned, freckled face to know the girl had a Way with animals.

Her Strangeness made her the favorite among the school children. Playing with her was like inviting Magic home.

But as the kids in her year edged toward adulthood, and belief in such things faded, Jessie was left alone, more often than not.

At thirteen, Jimmy from the other block hadn’t yet begun demanding to be called Jim, but he had a kind of quiet authority that he wore like a cape. If he thought something was a Bad Idea, even the worst bully would back off from whatever-it-was and go do something else.

It made sense, then, that Jessie and Jimmy would gravitate toward each other. They were both Different, even though neither was showy about it.

Billy knew this, because he was Jimmy’s little brother, and couldn’t help it. When he saw his brother and the Curious Girl leave their bikes by the side of the road and go walking down toward the pond he had to follow.

So, there was a witness when it Happened.

It was one of those days when summer hadn’t quite let go of the daytime, but fall was taking ownership of the night, and Jessie and Jimmy stood in the place where the fog curled up against the water’s edge.

“Set them out, in a circle like,” Jessie said, and Billy watched his brother take instruction from another, and a girl at that, arranging mason jars with twine around the tops.

“Good?” the older boy asked.

“Good,” the girl whispered back. Seemed like Jessie only ever whispered. As if, maybe, using her voice came at some kind of cost. “Now wait.”

Billy had been catching fireflies all his life, just like every other kid in their town, but he’d never seen the bugs just Come, the way they did for Jessie.

She held out her hand like she was catching raindrops, and every few seconds one of the jars would start to glow, the insects inside offering their Light instead of having it taken from them.

Billy wasn’t surprised when he realized the jars were hanging in the trees without actually being attached to them. Stuff like that seemed normal when Jessie was around.

You didn’t expect it, exactly; but you weren’t shocked, either.

He also wasn’t surprised when his older brother leaned in and pressed his lips against the girl’s. Billy was only nine, and mostly thought girls were gross, but there was Something About Jessie that made her more like a faerie than an actual girl.

Truth be told, Billy kinda wanted to kiss her too.

Maybe.

Or maybe not.

‘Cause Jessie was still a girl, after all.

Billy slipped away while Jimmy and Jessie were still mashing their lips against each other’s, and he was pretty sure they hadn’t seen him.

He crept quietly down the track that led to the street, past where Jessie and Jimmy had dumped their bicycles, and then ran hell-bent-for-leather back toward home, in the door, up the stairs, to his room, and slammed the door.

When he saw the twine wrapped mason jar, hanging above his bed and glowing with firefly light, maybe that should have scared him.

But Billy looked at it, swinging in mid-air, attached to nothing.

And he smiled.

The Tears are all there in bottles, aligned in rows, arranged on shelves in the far corner of the shop, where the sun can’t harm them and the temperature is constant – no chilling breezes every time the door opens.

Many shops offer a few bottles of Maiden’s Tears, but Madeleine is the only Keeper who offers the full line, and there’s no dispute that hers are the purest, the most potent.

Maiden’s Tears are most plentiful, and Madeleine has them further separated by vintage – that’s the age of the Supplier, not the age of the Tears, you understand.

Most shops never see anything beyond a 12, maybe a stray 10 if an order is mislabeled, but Madeleine offers 8s, which are full of innocent imagination. 13s, she warns, tend to induce snark when not used in extremely small amounts, and for special customers she’s been known to procure a rare, full-bodied 22 or 25.

Mother’s Tears – those are the varietals with the greatest differences. A 21 or 23 might have the best Fertility, but they’re often laced with Self Doubt and Regret. The 35s, Madeline says, and the 40s are best for boosting Confidence and Reliability, but if used incorrectly they can cause a spike in Sexuality that’s a bit unexpected.

Crone’s Tears go in and out of fashion. Some years, people clamor for the Wit and Wisdom they offer; other years, people avoid them, unwilling to risk high doses of Sorrow.

It’s said that Madeleine was a Supplier in her Maidenhood, that her Hopes and Dreams were among the strongest.

It’s also said she’s a Supplier of Crone’s Tears now, and that’s why she’s able to have such an extensive stock.

No one’s ever seen Madeleine Cry, but if you look carefully, she has the crescent-shaped mark under one eye – the kind you get from years of Collection.

It’s only ever one eye, of course. The Tears of one eye are Cried for others, but the Tears from the other eye are for yourself.

Edison wasn’t the first, you know. He wasn’t even the third. Scientists had been experimenting with incandescent bulbs for nearly a century before old Tom hit on tungsten.

But he had Help.

No, I don’t mean he had human helpers; I mean he had Help. From us.

We’re not exactly faeries, though we’re not exactly NOT faeries, either. Obviously, we Work with technology. We’re metalworkers and electricians and we don’t have the issue with iron that our brothers and sisters have.

And honestly, we were happy to Help. After all, humans have an inherent fear of dark corners and shadowy places. Fearful humans are DANGEROUS humans. So, helping you lot to have control over light and dark, even with limitations, wasn’t just a kindness.

It was an act of enlightened self-interest.

(Yeah, I went there.)

Here’s the thing though. You all got cocky. You didn’t stop at soft white, or even soft pink. You decided that your control of the light had to be more efficient.

First came those gods-forsaken compact fluorescent tubes that spiraled around to imitate the shape of a proper bulb.

They last a thousand times longer, you said, patting yourselves on the back.

But they also HUM. Most of you can’t hear it, but We Can, and it messes with our navigation, warps our flight paths, and makes our whole beings vibrate to the wrong frequency.

Those efficient not-bulbs are oh-so-efficiently killing us!

Then there were the LEDs. Okay, they don’t hum. But there’s something off about the light they produce. It has no heat, no substance. It’s like an echo of light rather than light itself.

We shiver when we’re near an LED. Ever seen a faerie or pixie shuddering uncontrollably? Trust me, it’s not pretty.

So, this is a message to you. We’re pissed. And we’re taking back the light. One bulb at a time.

One giant bulb at a fucking time.

Photo Source: Facebook Flash-Prompt Group

“I call this one ‘Icarus, Grounded,’” the artist said, standing over his latest piece of sidewalk art.

He heard the expected oohs and ahhs, the impressed reactions of passers-by to his use of 3-d techniques mixed with more standard 2-d chalk drawings.

“I love the way the wings look like they were drawn with charcoal,” an old woman in orthopedic shoes murmured to her bald companion, who held a cane.

“I chose to make the central figure female to represent the way we tell women they can be anything, do anything, and then once they try, we clip their wings with the shears of toxic masculinity.”

“How powerful!” The comment came from a young woman – likely a student from the nearby university – wearing a ‘Women in the Sequel’ t-shirt.

“Yes, I think so,” the artist answered.

“Dude, she’s like breathing!” A teenaged boy stuck his foot out, as if to nudge the human form in the center of the piece.

The artist glanced at the boy in alarm. “Don’t touch!”

The kid backed off, grinning sheepishly. “Sorry, man, it’s just so real.”

The light changed. The 3-d illusion weakened. A gentle rain began to fall.

By morning the drawing would be gone.

Across town, in a room in an old apartment, the kind with wood floors and tall arched windows, a young woman woke from an afternoon nap, just in time for her partner to come through the door bearing containers of hot soup and a loaf of fresh bread.

“How’s your flu?” he asked.

“I don’t feel as feverish. But I had the oddest dream. I was a bird, but my wings didn’t work. I felt like I was pinned to the ground.” She ate a few bites of bread, dipping it in the hot broth while the soup cooled to a tolerable temperature. “Hey! How’d your new drawing turn out? I’m sorry I missed it.”

Her partner, the artist, smiled. “It got the reaction I was hoping for,” he said. “But it’s raining now. I’m afraid you won’t get to see it in person.”

“Oh. That’s too bad. Any pictures?”

“Oh… my phone ran out of juice,” he lied.

Weeks later, she’d see the image on some stranger’s Instagram, and assume he’d simply used her as a model.

Because the dream had been just that, right?

Photo Source: Facebook Flash Prompt Group