An Excerpt from “A MerChild’s Christmas with Whales”

Merchild Christmas with Whales

There are always Aunties in the Mermaid Coves. The same Aunties. And on solstice mornings, with landwalker-entrancing song and candy darters, they would send me out to play and I would glide through the swaying kelp searching for news of the Seven Seas, and always find a barnacle-crusted whale by the deep trench or perhaps a clownfish with its colors dimmed by the colder water.

Merfolk and sea-creatures would be swooping and diving, riding the current with bubble-blown sighs and salt-scrubbed faces, all shimmering pale, their flicking fins and glinting scales catching the reflection of the sun against the careless tides.

Fronds of seaweed and clusters of anemones were draped over the branching coral in all the grottos; there were jugs of briny nectar, and succulent shellfish, and too many varieties of plankton and cheesefish and shellcrackers. Crabs in their crusty coats skittered near the phosphorescent rocks and the bioluminescence lit the caverns, making them ready for tales and shanties galore.

Some few large mermen sat on carved couches without their ceremonial sashes, Uncles all of them, trying their new conch pipes – holding them at arm’s length then returning them to their lips, blowing mournful tones like muted foghorns then holding them out again as though waiting for a whalesong reply.

And those loving Aunties, not needed to tend the cauldrons of fish stew (or for anything else, really) perch on the edges of their limestone chairs, poised but fierce, ready to crack shell and splash tail, but also on guard for the impending arrival of Sandy Klaws.

With apologies to Dylan Thomas.

String Theory

1678 - Adrian Borda - AdrianBorda dot Com

“Vasily, my friend, the Symphony board asked me to approach you.” I said to the man in the straight-backed chair.

“The light,” my old friend responded. “I’m trying to capture the way light filters through the F-holes. Can you imagine? Standing next to the soundpost as a string is plucked or bowed. It must refract the light.”

“I don’t think music works that way,” I said. “I don’t understand what you mean.”

“Inside the cello, the light beams into the soft, unvarnished wood, like the sun does in a forest. Particles of light dancing in the raw darkness.”

“And the strings change the light?”

“The sound… the sound moves the air; the air bends the light.” He lifted his head from the instrument he was cradling against his body. His dark eyes found mine, and I saw universes spinning in their depths.

“Vasily, are you alright?”

“I am the music,” he said. “The music is me. I am my instrument. It plays me. The light gleams and the sound shakes all of creation.”

“The sound of your cello?” I wondered if I should be calling the staff physician.

“My cello, your viola. The doorstop when you stub it with your toe. The stars. The stars sing their light.”  He pauses, then lifts his hand. “In the beginning, there was the Word, but what was before the beginning? What came before the word?”

“Music?” I guessed.

“Music! Yes. Music shapes creation. Music shapes us all.”

Apparently, this was as lucid as my old friend was going to get. “Vasily, the Symphony wants to commission a new concerto from you. For the new season.” I waited for him to respond. When he did not, I asked gently. “Vasily, they want you to compose. Do you understand?”

My friend was silent. Then he raised his right hand, the one gripping his bow. He played a note, then a scale, then a tune I’d never heard before, and for just a second, I felt like I understood the universe and it understood me. But only for a second.

“Vasily?” I spoke his name again.

He continued to play.

I checked my watch. I was due back at the university where a new group of students was waiting to learn Music Theory 101 from the famous conductor – me. “Vasily, I’m afraid I have to leave now. Shall I come back later in the week – take you to lunch?

“Lunch… yes.. at the café in the park,” he said. “I need to see the light on the water and hear the way it’s shaped.”

Nothing he said made sense to me, but I was certain it was making sense to him. “Alright, then. I’ll be back on Thursday at one. Perhaps we can discuss your commission then.”

“Commission… I should charge the length of a comet’s tail. But I will settle for my usual fee. A concerto for strings and light… ready for September.”

“Vasily, are you sure?”

“Nothing is sure.”

“Pitches are sure.”

He shook his head, “Oh, if only that were so.”

Vasily lifted his bow, put it back down, and repeated the strange tune he’d played a few minutes ago. He ignored me when I said goodbye and I made sure to close the door to his studio as softly as possible.

On Thursday morning, I received a text message. “Keep your tie on. I need to know how red sounds near water. See you at one.”

I stared at my reflection in the window of my classroom. How had he known I’d already been wearing a red tie?”

Image Source: Adrian Borda

Operation

Operation

She always arranged her tools before she began any operation. Just as in an any operating theater, it was important to be able to lay your hand on the correct instrument without looking, without thinking. Her young assistant was inexperienced and didn’t always make the right choice, so it was best to be able to direct her to the proper implement.

The operating table had been draped in protective material designed to collect any leaking fluids or stray bits of flesh, and the lighting had been adjusted to illuminate the field with no confusing shadows.

Her hands were already clean, so she drew one glove and then another over her fingers, and down around her wrists. The girl across the table had already done the same, and, she noted approvingly, her long hair had been tucked into a cotton cap. Good.

The patient was already in place, with glistening skin ready to be pierced by a blade. They had marked the surgical site to ensure no mistakes would be made.

“Wait,” she said. “Something’s missing.”

“I forgot to start the music!” Her assistant had the decency to look embarrassed. The girl gave an order to Alexa and the first notes of Camille Saint-Saëns’ “Danse Macabre” wafted from the speaker system, the opening monotone chime seeming very like a countdown clock.

“No, there’s something else.” She surveyed the scene, and then smiled as realization dawned. She left the area for a moment and returned with metal container. “The collection bowl was missed,” she explained, placing the thing in position. One more confirming look, and then, “Alright, now we’re ready.”

“I hope this goes well,” her assistant said. “Last time we messed up the mouth, and it really wasn’t pretty.”

“We’ll be fine,” she said. “Hand me the first blade.” The girl’s small hand placed the serrated knife into her larger one. “Making the first incision now.”

The blade pierced the patient’s skin and fluid oozed out. Her assistant wiped it away with a paper towel and the two shared a look of glee.

“Shall we continue?” she asked, and when the girl nodded her approval, she made the second cut, announcing, “Alright, Jack! Time for your lobotomy!”

Mother and daughter giggled together. Pumpkin carving had never been more fun.

Tlanchana

la_tlanchana_by_andro_san12_df23o87-414w-2xThe Mother of Water has many moods and many forms.

When she is sad or angry, her tears fill the basin of the lake near our home, and the power of her emotion fuels wicked storms. The fishermen and sailors beg her for mercy, but she is the snake mother then, and she whips her tail in agitation. The men know to remain ashore and use the time to sit near the fire repairing their nets or stitching new sails.

They tell stories of my mother’s worst tantrums, but their voices are full of respect in equal measures as the fear.

“I remember,” the oldest man says, “that when conquerors tried to cross the lake and take our village, the Water-Mother used her snake tail to whip their weapons from their hands and push their ships back with her well-placed waves.”

When my mother is feeling happy, the skies reflect the bright blue of her eyes, and the waters in the lake are calm. She takes a fish-tail then, swimming alongside the fishing boats and guiding them toward the best catch.

She likes to play with the children on these days, and while I was not the first or the last to wrap my young arms around her neck and let her carry me over and under the surface, coming up for air always at the exact right moment, I am the one who is never afraid.

“The Water-Mother is our protector,” the other mothers tell their children. “And it is an honor to be invited to swim with her.”

Sometimes, though, the Mother of Water must take human form, trading tail for legs, and walking on the land. She did this once to find a mate, and that’s how I was made, but she also comes to shore whenever one of the elders passes out of this life.

In those times her tears are salty, and she cries them over the graves of those who have left. She wraps her silky hair around herself like a cloak and keeps vigil over the bones of the dead.

The old grannies cook for her at those times and leave pots of food and jugs of water to sustain her while she sits in silence. She might sit for two nights or five, or even seven, but when she leaves, it always seems she takes our collective grief away with her.

“Death is part of life,” she reminds us, as she returns to the lake.

Unlike the other girls in our village, the Mother of Water is also my mother of blood. When I am older, she tells me in her voice that ripples like a stream, I will learn to shift my form, to take on the snake tail when I must be fierce and the fish tail when I am being playful, and legs when I am ready for love.

Sometimes she visits in her human form, just to spend time with us.

“Did you love my father?” I ask her.

“I did,” she says. “I do,” she adds.

And she walks on legs into the candlelit depths of our house and shares her joy with the man who raises me. When she departs after those times, her eyes are dry, but my father’s face is wet with tears, and so is mine.

The Mother of Water has many moods and many forms, but in every one, she protects those of us she calls her own.

Art credit: Andro-san12

The Warehouse of Lost Dreams

1730 - Dreams

 

“So, it’s your first night at the warehouse, huh, kid?” The paunchy older man with the graying whiskers and faded denim overalls asked. His tone was conversational. His smile was sincere. “Lemme guess… you’re putting yourself through college?”

“I am,” I said. My own coveralls were new, the indigo still deep and dark, with creases from where they’d been folded in the package. With self-deprecating humor, I said, “I’m on the six-year plan.”

“Better six years than no years,” my mentor said. “I’m Maury; lemme show you around.”

“Sure,” I said.

“As a custodian you need to know the sorting policy. Here, on the first aisle are the Childhood Fantasies… things kids grow out of before they turn ten.”

“Like being an astronaut?”

“More like being a spaceship captain, although we still get a lot of firefighters, lion tamers, and superheroes.” Maury shakes his head. “Some of those are messy – the kids who tried flying before they gave up on the idea… their bodies usually didn’t suffer much, but those dreams literally went splat! That’s why we cover up.”

“I was wondering,” I said. “What’s next?”

“Well, this next section, it’s the dreams that are set aside when we’re coming of age.” He reaches into a bin and retrieves a handful of pointe shoes, dangling from faded pink ribbons. “Lots of ballerinas in this section, and tap dancers, but also baseball and soccer players. These are the sports and arts that kids give up when they head off to college.”

“Because their tastes change?” I ask.

“Some of them.” Maury returns the ballet shoes to the bin, picks up a soccer ball and bins it, and then moves a unicycle into a bike rack. “Others… they just didn’t have time, or they couldn’t afford to keep up after high school.” He stops, turns to face me, and stares for a long moment. “Your clarinet is three over, fourth shelf,” he says.

“How did you know about that?”

Maury favors me with a sympathetic smile. “You work here long enough, and you start to pick up on things.”

“How long have you been working here?” I ask.

“A long time,” he answers vaguely.

I follow him up and down a few more aisles until we reach a bin of hard hats. “Put this on,” he says, handing me a yellow one. He places an orange one over his buzz-cut hair. “This section can be dangerous.”

We enter a warehouse aisle that has bits of things – dolls, china, musical instruments, paint brushes, running shoes… riding saddles and medical texts.

“Broken dreams?” I guess aloud.

“Yup,” Maury answers. “Next aisle isn’t dangerous, but it might make you a little sad…”

“Oh?”

But he doesn’t need to explain. One side of the aisle is bins full of college sweatshirts and corporate IDs. I gulp, knowing that if I’m not careful my own future could end up folded and graying here. The other side of the aisle, though, is different. Smaller bins. Engagement rings. Wedding bands. Baby shoes.

“Oh,” I manage to say, since Maury seems to expect a reaction of some kind. “Oh.”

“Yeah,” he answers, as if we’ve just had a profound conversation. And maybe we have. It just didn’t involve a ton of words. “C’mon.”

More rows, some are things I recognize, some are poorly lit, and the shapes are abstract and indistinct. But there’s a warm light emanating from the very furthest aisle, and here’s where we find rows of easels, fishing poles, knitting supplies, baking equipment.

“This stuff doesn’t seem like it’s lost or broken,” I say.

“No. This… this is where I come when the rest of it gets too much. This is the place where later-in-life dreams are protected until they’re ready to be used. Most of these dreamers are grandparents, and they’re either planning retirement activities or embracing hobbies to share with their grandchildren.

“Oh… wow.”

“It’s not good to linger too long,” Maury says quietly. “Maybe I’ve come here too many times.” He picks up one of the fishing poles. “Work hard, while you’re here, kid,” he says. I notice that his hard hat is now a canvas one with fishing lures attached to it. Like that guy from the TV show M*A*S*H.

“I don’t understand,” I say.

“Don’t let go of your dream,” he continues. “Six years, even seven, you finish college.”

“I won’t,” I say. “I mean, I will. I’ll finish.”

Maury turns away from me and walks down toward the brightest part of the light. I take two steps to follow him, but then there’s a loud alarm from somewhere above me, and a computer voice announces “Incoming shipment. Custodian, please report to the loading dock.”

I turn toward the place where I came in, which is suddenly only a few feet from me, instead of rows and rows away. It’s my first night at the Warehouse of Lost Dreams, but it won’t be my last.

Art credit: Max Steksov

 

 

Itchy

It was her face that had attracted him, her profile picture on the dating app. But it was her fingers that really caught his attention. They were long, perfect for the piano her bio said she played, and tipped with pink-painted nails that were slightly sharp. Those nails and the expression in her green eyes promised a host of wicked delights.

He swiped right, sent a note, started the kind of textual flirting that passes for courtship in the twenty-first century. They met for drinks. He ordered a beer, and she had a pink cocktail that lingered on her lips when they kissed. She tickled his palm with her nails and the shivery feeling left him wanting – no, needing – more.

Itchy by adiruch

He was charming. She was willing. He left her bed at three the next morning with the feeling of her nails on his skin and an empty promise dripping from his tongue. “I’ll call you.”

Three days later he hasn’t called. It’s not that he didn’t have fun, but that he knows he could do better.

On the fourth day, she texts him, but he doesn’t answer.

She texts him a few more times, but he doesn’t respond. She’s too clingy, he decides, even if her nails were exquisite.

Two weeks after their date, he’s in the same bar with another woman, one who sips bourbon, and he sees her across the room. She’s with a group of friends, but their eyes lock. She mouths a single word that he can’t understand. Bitchy, maybe? Whatever. The bourbon-sipping blonde squeezes his thigh with her hand.

“Let’s get out of here,” she says.

He’s too glad to agree.

But he can feel the other woman’s eyes follow him out, and the memory of her fingernails raking his naked back is suddenly fresh in his mind. “Ohhh.”

“Hmm?” asks his date.

“Nothing.”

His right shoulder blade is itchy, and he reaches backwards to scratch it, but the spot moves just out of his reach.

By the time they reach his apartment, he’s squirming in his clothes.

“Are you okay?” she asks.

“I’m fine. I’m just… itchy.”

“Want me to scratch your back?”

“God, yes.”

With him shirtless in his living room, she tries to alleviate his itch, but it seems that with every stroke of her short nails the feeling only gets worse. “Is there something there?” he asks. “On my back? A bite? A rash?”

“No, nothing.”

The itching is increasing. He can’t stop scratching long enough to kiss her again let alone get it up so they can do more. She leaves without promising to call.

He didn’t expect her to.

He tries rubbing his back against the rough stucco of the wall outside his bedroom, where the hallway forms a corner, then tries the door frame itself. But his skin demands more.

He tries a cold shower, uses his back scrubber with as much pressure as he can muster. But the water seems to spread the itch.

He swallows a couple of Benadryl and tries to sleep, but his skin is on fire, and he ends up wired and wooly, using object after object – a wire hanger, an old toothbrush, a vegetable brush, the closed blades of his kitchen shears – in vain attempts to alleviate the itching.

Morning finds him naked and shaking, trying to reach the spot between his rib and shoulder with the blade of a carving knife, passing the edge sideways across his burning skin while he waits on hold for the advice nurse his insurance provides.

“Try a moisturizing lotion,” she suggests, “or an ice massage.”

Neither suggestion considers the fact that he can’t reach the infernal itch.

He calls out sick, fills his tub with ice, lies in it until his skin is blue and thinks relief has finally come. But when he’s warm again the itching returns.

He flips channels on the television to distract himself, landing on an ad for power tools. A belt sander would be perfect, he thinks, except there’s no way to make it reach the spot.

He takes more Benadryl and chases it with a healthy swig of vodka.

* * * * *

He spends three days in a near-coma induced by alcohol and antihistamines. He’s given up on the carving knife and tried a hand saw. He’s sure the teeth are drawing blood because he can feel fluid oozing down his back, and it’s definitely not sweat.

He wonders if he could use an x-acto knife to excise the spot. He calls his buddy from work to ask for help. The friend arrives with gauze, alcohol, a couple of knives, and – oddly – a role of sage and a Bic lighter.

“What’s that for?” he asks.

“In case a demon caused the itching. We can smoke it out.”

“Will that work?”

“No idea. It can’t hurt.”

But the smoke just sets off the fire alarm.

“Just cut it…” he begs. “Please. Just slice it away.”

“Here?” his buddy asks pressing under his shoulder blade.

“Lower.”

“Here?”

“More to the left. No – higher – no, down and to the right. No – FUCK!”

“Maybe,” his buddy said, “You should tell me exactly how this happened.”

And so, he explains about how he saw the girl he’d ghosted when he was out on a date with someone else, and she’d mouthed “bitchy” at him.

“Bitchy?”

“Well, I thought it was at the time. Now I’m thinking she said itchy.”

“She cursed you.”

“You think?”  His friend is silent. “Sorry,” he says.

“We’re cool,” his buddy answers. “I think…. I think maybe it’s not me you need to be apologizing to, anyway. I think you have to apologize to the woman who did this.”

“Seriously.”

“That or scratch yourself to death. Your back already looks a lot like hamburger.”

“Damn.”

“Sorry I couldn’t help.”

* * * * *

It’s another two days of torment before he can make himself contact her. He hasn’t slept but he’s figured out how to attach sandpaper to a broom handle to scratch more. It comes back bloodier every time, but he doesn’t care. Anything to stop the itching for a few seconds.

He’s taking enough antihistamine and alcohol that while he doesn’t sleep, he does enter a sort of altered state where he can see her face and feel her fingernails on other parts of his body. It’s when the itching moves to his balls that he caves and texts her.

“I think maybe I owe you an apology,” texts.

Her response comes, several hours later, in the form of a question. “You think or you know? You promised to call,” she adds. “Keep your promise.”

He almost throws his phone across the room, but the itching is getting worse again. Scratching his crotch with one hand, he keys in her number with the other.

“This is Cat.” Was her voice always that smooth?

“Hello, Cat. This is Dave, from… from the other night. I’m sorry I didn’t call. It was really rude of me.”

“Yes, it was. I wasn’t expecting a lifetime commitment, but a call telling me you didn’t think we were a match would have been the adult thing to do.”

“I guess it was just easier to blow you off and move on.”

“Easier for you, you mean.” Her tone was calm when she had every right to be mean or petty. “Not so easy to be the one waiting for a call that never comes.”

“I never thought of it that way,” he admitted.

“No, you just rely on your charm and lack of conscience. That’s what the itching is by the way. It’s your conscience trying to get your attention. It doesn’t usually take this long though.”

“I guess I’m particularly obtuse.”

“I guess you are.”

“Can you… make it stop… please.”

She laughs into his ear. “Haven’t you realized? It already has.”

He goes quiet, forcing himself to feel… and she’s right… there’s no more itching. There can’t be. Because he’s scratched away every last nerve on his body.

His phone falls to the floor, and his body follows soon after.

 

Photo credit: adiruch

 

 

 

 

 

 

Alligator Rain

Alligator Eyes

“You’ve heard of crocodile tears, right?” she asked him.

They were sitting in her truck, which was parked at the top of the lake’s grassy embankment. The headlights were on low, beaming across the water, where raindrops merged into the eye-shine of alligators.

“Yeah… why?”

“Because this is alligator rain.”

“Alligator… rain? Why? Because it’s thick and heavy?”

She grinned but shook her head. “Nope. It’s because the rolling thunder sounds like a gator bellow…” She gestured toward the water. “… and if you listen really carefully, the alligators will answer the thunder.”

“That’s beautiful… he said. “Beautiful and strange.”

La Vie En Rose

Art by tanatpon13p via 123rf.com

 

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Another café, another ancient French song wafting out from speakers mounted above the door – why was my handler always asking me to meet in such places? And why did I always agree?

“I’m supposed to be retired,” I told him, by way of a greeting.

He nodded his head in tacit agreement, waving me into the chair opposite his. It was tall, made from faux bamboo, and featured a magenta velvet cushion. “You hate retirement,” he said, after a moment. “You miss the thrill of the chase.”

“You’re the hunter,” I reminded him. “I’m just the closer. And I have other obligations now.”

“Oh, yes. You’re the very picture of domestic bliss. How many teas have you hosted now?”

“One was actually a lunch,” I said. “And the other was a benefit for the Star Navy Office of Rescue and Extraction.”

“Ah, yes, SNORE.” He snorted the last word. “Only the Navy would come up with such an acronym for the operation that saves its citizens left on abandoned or failed colonies.”

“Renato created that unit.”

“Of course. And you’re the dutiful partner, supporting his endeavors.”

“There are worse things I could be doing,” I protested.

“There are also better things.”

A server arrived with two espresso cortados and presented one to each of us. The strong, bitter, slightly chocolaty aroma tickled my nose. I couldn’t resist tasting it, and when I did, my senses came alive. “This is real,” I said. “Not synthesized.”

“Only the best for the best,” he said.

I wanted to push the coffee away, but this man has always known me too well. I take another sip. “Flattery only gets you so far, Mart… what’s this really about?”

“Hatteras Six.”

“The prince?” One of my last gigs for Martigan’s organization had been ensuring that the prince’s marriage to a Betelgeusean princess took place.

“His father. He believes there’s a conspiracy to assassinate him and put his son on the throne, but under Syndicate control.”

“Mart – I can’t. I have a different life now. Besides, the last time I was involved in Hatteran politics, I nearly got killed.” I took another slow sip of the coffee. “Why me?”

“Because you’re the best.”

“So, you’ve said. Martigan…”

“Sasha…” He imitated my tone. Then he sighed. “Don’t you miss it? The adventure? The intrigue? Knowing that you’re changing the galaxy for good?” He paused for a second then added, “me?”

It was the final word that got me. Martigan and I had worked together for years – decades even – and you don’t have a relationship like ours without chemistry – good chemistry. But I’d fallen into the role of his protégé, and he had apparently relished being my mentor. I’d tried to seduce him once when I was much younger, and he’d been kind and gentle when he turned me down, convincing me it was just a workplace infatuation.

Over time, I’d learned to read him. I knew he’d desired me but needed my skills outside the bedroom more. I also knew he had a very particular code of honor… or decorum… that would never have let him act on his desires at the time.

“I didn’t know you felt that way,” I lied.

“Yes, you did.”

Damn him! “Yes, I did,” I agreed. “Why now?”

“Because you really are the best person for this job Sash. The prince knows you – trusts you. The princess won’t see you as a threat.”

If I do this – ” I began.

“- I’ll give you all the support you need,” he finished my thought. “Backup, a ship, everything.”

I smiled. “If I do this, I want you.”

“As a partner? I’m a bit rusty – been behind the scenes too long.”

“No, Mart. I want you.

“And Renato?”

“I’m sure he’ll find someone else to host his teas.”

“So, he is too normal for you!”

“No. Yes. It’s… complicated. Let’s just say, there’s more than one reason we’ve never married.”  I rose, preparing to leave. “You know my terms. You know where I’m staying or can easily find out. Let me know by twenty-two hundred hours tonight.”

He looked up at me and nodded once.

I drained the last of the coffee from my cup, and set it down on the table, then walked out of the café without looking back.

Martigan caught me at the door. I turned to face him, but he didn’t speak. He tilted my chin upward with a single finger and then kissed me. Coffee and pipe tobacco from him, coffee and lipstick from me – a match made in some cheesy dime novel from the back of beyond.

“Is that goodbye?” I asked.

“No. It’s a down payment.”

“I’ll collect the rest tonight,” I said, and continued out of the café though I tossed a final comment back at him. “I’ll still need the backup and the ship.”

The music from the speakers, a woman’s voice thick with emotion, followed me down the street.

C’est lui pour moi, moi pour lui dans la vie
Il me l’a dit, l’a juré pour la vie

* * *

Quand il me prend dans ses bras
Qu’il me parle tout bas
Je vois la vie en rose

Notes: This fic is a sequel to Allez-vous En (Go Away), and is a gift for Tek of NuttyBites.  “La Vie En Rose” was written by Édith Piaf.

The Wisdom of Crocodiles

 

Here is your wisdom, they say as they thrust the young reptile into my arms. Guard its life as you guard your own.

I too am young, and the idea of being responsible for this other life is daunting.

What if I fail?

What if it dies?

Or, what if it grows large and mean and I cannot control it?

White Crocodile by Silviu Sadoschi

My year-mates, my heart sisters and blood brothers,  are also given young reptiles to care for. I see each of them cradling their black-scaled, green-eyed charges. I see blood welling from the arm of my name-twin. Her reptile has not yet been taught to gentle his claws.

My reptile is white, not green, and her eyes glow red like the embers of a fire. They say our reptiles – our crocodiles – are the descendants of Earth’s dinosaurs. But this is not Earth, and I am certain mine is closer akin to dragons. Her claws are light against my skin. Her ectothermic body presses into my chest, seeking heat.

Here is your wisdom, they repeat, and I understand: In caring for our crocodiles we will learn to care for others, and in training them to behave politely, without lunging for food or snapping their heavy jaws, we will learn to temper our wilder urges, to live thoughtful, measured lives.

I hold the white crocodile closer, and I feel her infrasonic rumble move through my bones.

She is my Wisdom

I am her Heart.

When we are both grown, she will return to the waters of the Great River and I will take my place on the village council, but we will still be bound.

They say that our People descended from crocodiles instead of apes.  I cannot be certain of this, but I dream at night of lying in the warm sun on the riverbank, of watching my lover move silently into the darkness, of sliding into the dark water where I am truly free.

It is a dream that feels almost like a memory.

Here is your wisdom, they say yet again, and I give them a half smile, one that doesn’t reveal my teeth.

The white crocodile is my Wisdom.

And I am her Heart.

Art Credit: Silviu Sadoschi – https://www.artstation.com/silviu

A Suit to Die For

Credit: Boris Groh - https://www.artstation.com/borisgroh

Changes in fashion and culture affect everyone. Business attire had grown ever more casual. Flight attendants didn’t have to be stick-thin and perpetually twenty-three anymore. It made sense, then, for the Grim Reaper to rethink his look.

“Don’t get me wrong,” he said to his tailor (a lovely man named Moshe destined to die of heart-failure at the age of fifty-seven.) “Black never goes out of style, but if one more child looks at me and wants to know if I’m the character from Scream I may go mad.”

“Those cloaks always seemed heavy for summer wear,” Moshe agreed. “And hard to keep clean, with the trailing hems and all. You’re supposed to be Grim, not grimy.  Let’s try something simpler. Minimalism is very trendy right now.”

The tailor cut and stitched, measured (more than twice), cut some more, and finally held up the finished uniform. “Try this on, G.R.”

The Reaper went into the dressing room and changed into the new creation. Observing himself in the mirror, he smiled. It wasn’t a pleasant expression; the mirror cracked in response.

“Well,” called Moshe the tailor. “Are you going to let me see?”

The Grim Reaper stalked out to the main room. He always stalked. It was his way. Stalking and looming were two of his signature moves. “You don’t think the bare midriff is a mistake?”

“No, not at all. Do you like it?”

“I do,” the Reaper said. “The tattered shirt feels so breezy, and the trousers fit perfectly and I can move in them. I don’t know what to do about my scythe though. It doesn’t really enhance the look.”

The tailor was silent for a moment, studying him. Then he moved toward the accessory wall of his shop. “I have just the thing,” he said. The Grim Reaper heard different objects being lifted, examined, and tossed aside. “Aha!”

Moshe returned to the fitting area and thrust something into the Reaper’s hand. “This is perfect.”

“A briefcase?” The Reaper pronounced the word slowly, breaking it into its component parts.

“A multidimensional briefcase. It’s got a pocket for your scythe and another, zippered section for storing souls.”

“It’s perfect.” The Reaper folded his scythe into the briefcase. “You have my eternal gratitude.”

“Eternal?” Moshe asked.

The Grim Reaper opened the briefcase once more. “I’m afraid so. Come with me, Moshe. Everything will be alright.”

Moshe never felt his body hit the floor, but the Reaper and the rest of those dwelling in the Afterlife had perfectly tailored clothing for the rest of Time.

Art Credit: Boris Groh – https://www.artstation.com/borisgroh